The Crowhouse – Nov 18, 2021
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Mirror:
Bitchute: https://www.bitchute.com/video/05OsGCekumz9/
Odysee: https://odysee.com/@spacebusters:c9/In-Ultra-We-Trust:c
Trust Ultra Trust Naomi
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Interesting video although I will say that this video maker (who previously did a great video on covid if I recall) actually copied this hook, line and sinker from Truthstream’s media video earlier, back in 2013. I am speaking about the subliminal messages in the American National Anthem.
Also, it must be noted that the US is NOT a nation. It’s not been a nation ever since they granted non Europeans citizenship and national status (which isn’t possible) to non European peoples. All the African origin, middle eastern, Indian subcontinent peoples, Asians, Polynesians and others, from outside of the white nations (who created the USA) are not, were never and never will be of the European nations.
And TPTB knew PRECISELY that this was the first step in the demolition of nations – immigration. Sure, one can say it was control of banking, yes, but that does not have a destructive effect on civilization as immigration does. In the past it was called invasion. Now it’s called immigration. And as we saw on a previous article, here on TT, our navy doesn’t bother protecting the seas, nor our armies the land. Instead they’re off fighting banker wars, bitches for the jew, their bulldogs to destroy foreign nations and force them to emigrate into the west.
I remember reading a comment that the films ‘They Live’ and ‘The Thing’ were about Jews. I watched them again with that in mind and it all made sense. ‘They Live’ needs no explanation. But in ‘The Thing’, the dog being chased in the opening scenes in Antarctica was a metaphor for a shape-shifter that represented a dire threat to humanity because its DNA allowed the ultimate concealment. We couldn’t see the dog for what it was because it could become any one of us externally. It did that while we slept. Then we would become the children of Satan.
This is where Hollywood tells the truth. Both of ‘The Invasion of the Body Snatchers’ films are also about what happens to us when we sleep. When John Carpenter heard that viewers were saying ‘They Live’ was about Jews, he said that was nonsense, it was about “the boomers”.
Who knows, but to see how its all going to end for the white race, just watch the movie ‘Planet of the Apes’ (1968)
Soylent Green,Rollerball,and, Logan’s Run, are all predictive programming for Agenda 21/30
A definition of NAOMI was atrtributed to Kissinger, who said it stood for “Negroes Are Only Momentary Individuals”.
If so, there was probably not much resistance to the project by the informed part of the majority, but it’s clear the scope was to be expanded to consume the majority as well…
John Carpenter’s attempts to distance himself from the obvious message in ‘They Live’ makes me think he was in on it. Bits of the movie are explicitly anti-Reagan, when the skeletal TV speaker tells us “It’s morning in America” make Carpenter’s denials a bit weak.
A look at Carpenter’s output in the 1980s, in fact, shows another piece of obvious predictive programming, “Escape from New York.” Seeing New York City in ruins, with predatory gangs rampaging unchecked, is precisely what happened in the summer of 2020. Great old establishments were closed and boarded up, the mobs were left to loot anything they could in the darkness.
When a movie comes out and is thought of as Total Fantasy and less than forty years later its images come back to us as news, it’s hard not to consider that someone wanted precisely that situation to take place.
Carpenter ALSO made “Escape from LA.” Sure enough, Los Angeles is now as blighted as the film showed. Parts of LA are a little worse. Coincidence? Hard to believe.
Our politicians may be mostly evil people, but they are superior to Max Igan in one fundamental way, THEY TELL US WHAT THEIR REAL NAMES ARE.
What’s your real name “Max”? What are you hiding? What don’t you want us to know?
@Colleen Rokeby
Max Gain? Freemason 100%
Good video. Too long to watch in one sitting for me, but great stuff.
Demonic scum like Fauci should have their tongues cut out and stuffed up their own a**holes, have their jaws dislocated and ribs broken, then get slowly fed into a wood-chipper feet-first.
Max Igan is a fraud, “the escape” is the proof
The video suggests Del Bigtree is a faker, as others have said. His voice is sinister, though, like that of ODD TV.
Many books (1984, Brave New World), and early science fiction films like the above were trying to sound a warning.
Media in general is all about the Jews. Just look at almost every face, every real name and every Family Background on Wikipedia. The blatant productions like “They Live” are interesting to discuss, but the fact is that every single second of every single “show” on TV or Hollywood is weighted and calculated to be good for the Jews and pure poison for YOU, goy.
Many people think Carpenter’s film ‘They Live’ is an expose on Jewish power and reptilian control. But J.C. denies it.
In the film an alien race pretending to be human owns everything, but you can’t see it on the surface without the glasses.
The best part of the movie is the epic fight scene between the white Roddy Piper vs. the black Keith David, (which is an analogy of the races who refuse to work together to overcome the Jews)
one of the best movie fight scene of all time:
https://www.youtube.com/watch?v=11dZSPIe9UU
True to life, if you know it’s the Jews the cops will come after you:
https://www.youtube.com/watch?v=8kzdEjeRp4w
Jewish women in the grocery store:
https://www.youtube.com/watch?v=kBY6pF42I-c
Bank bubble gum scene:
https://www.youtube.com/watch?v=Du5YK5FnyF4
The first Blade movie has descriptions that fulfill the same narrative. There is an Elite running the show behind the scenes that has blended into society. They do quarrel with each other using their gentile populations.
ALL INDOARIAN TRIBES/NATIONS UNITE !
SINCE WE ARE UNDER SEMITIC NWO
ATTACK !
To Yukon Jack–a good joke in that fight scene is that men will half-kill each other but then apologise profusely for touching the opponent’s car.