![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/leadvma2013.jpg\" "\\"leadvma2013\\"")
<\/a><\/p>\nThe 2013 edition of the VMAs was not about music. It wasn\u2019t even about the symbolism I\u2019ve described in past years. It was basically MTV saying: \u201cThere is nothing to celebrate in pop music this year, here\u2019s an awkward, cringe worthy display of everything that is wrong in the entertainment industry\u201d.<\/h5>\nI wrote extensive articles about past VMA awards because they were filled with occult symbolism and messages. This year, not so much. It was about promoting major artists and their newest albums. But mostly, it was about providing a \u201cshocking\u201d moment that would get mass media talking for days. Miley Cyrus provided it.<\/h5>\nMiley Cyrus: The Industry Slave Chosen to Take the Fall<\/h2>\nMiley Cyrus\u2019 display at the VMAs was qualified by many as \u201ctrashy\u201d and \u201cembarrassing\u201d. It was indeed a strange sight to see. It was as if she was doing it on purpose to embarrass herself. Well, here\u2019s a moment of clarity: It WAS done on purpose and, moreseo, it was ALL staged. People commenting on Miley Cyrus appear to forget one, massive detail: There is an enormous marketing machine behind Miley Cyrus and there always was.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/Mileys-image-has-been-heavily-marketed.jpg\" "\\"Mileys")
<\/a> Miley\u2019s image has been heavily marketed by Disney since the days she took on the role of Hannah Montana \u2013 a girl who (appropriately enough) had a stage alter persona, with a different wig. Hannah Montana products often had butterflies on them, a slick reminder of how she was a Disney programming slave.<\/p><\/div>\n
Until 2013, Miley was signed with Hollywood Records, a record Label that was founded by Michael Eisgner, the CEO of Disney. Hollywood Records also owns other child stars such as Demi Lovato, Selena Gomez and the Jonas Brothers. Every artist in the record label\u2019s stable has a carefully crafted image to be marketed to its target public. She is now working with Britney Spears\u2019 ex-manager Larry Rudolph and signed with RCA records \u2013 one of the biggest music labels in the world that owns the likes of Justin Timberlake, Britney Spears and Ke$ha.<\/h5>\nAs a product of Mickey Mouse programming Miley underwent a classic \u201cgood girl gone bad\u201d treatment. From a good, wholesome daddy\u2019s girl, Miley turned into a bratty, sex freak who keeps sticking out her tongue and twerking for no reason. While most people are probably tsking at Miley, they do not realize that this whole thing coincided with the release of her new album \u2013 and that it was all ordered by her handlers. In other words, she was selected and programmed to be this year\u2019s main example of a \u201cgood girl gone bad\u201d, a process the occult elite wants the public to constantly witness. They want the masses to see innocence and wholesomeness turn into sleaze and trash. They want pop culture and the youth in general follow the same process. While alchemy is about turning stone into gold, the masses are made to witness the opposite process.<\/h5>\nMiley\u2019s VMA performance is about a child star who was beloved by millions of young people showing what the industry has done to her. It is about shattering the innocence of her fans by having them witness her metamorphosis into one giant sex-obsessed caricature. I\u2019m using the word caricature because it is safe to say that Miley was not 100% herself during the VMA\u2019s. Her oversexualized demeanor was characteristic of a Beta programming slave who had the switched turned \u201con\u201d.\u00a0 It was however not only about being overtly sexual, it was also (and mostly) about being annoying and embarrassing herself \u2013 as if it was a sick, humiliating ritual. Dressed and styled to look like a bratty child, jumping around with giant teddy bears, Miley\u2019s performance was all about getting a negative reaction from the public while continuing the ongoing agenda of sexualizing everything that is related to childhood.<\/h5>\nThings got even stranger when Robin Thicke came out to perform Blurred Lines<\/em>. As its name somewhat stipulates, that song blurs the line between being a flirty and all out creepy. Its video has a strange handler-slave vibe, where Robin, Pharell and T.I. are all sharply dressed while the women dancing around them are completely naked\u2026And being sung lines such as \u201cYou\u2019re an animal\u201d.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/Blurred-lines.jpg\" "\\"Blurred")
<\/a>While \u201cBlurred Lines\u201d appears to be nothing more than a \u201cfun and sexy video\u201d, the fact that the singers are fully dressed while the models are completely naked denotes a strong relationship of dominance. Forcing slaves to be naked while the masters are dressed is a classic psychological ploy to make slaves feel powerless, vulnerable and inferior.<\/p><\/div>\n
It is therefore not a coincidence that Miley sang this particular song during the VMAs. Her whole act goes with the spirit of the song and, like in the video, there\u2019s a handler\/slave relationship going on in during the performance.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/Miley-Beta-programming.jpg\" "\\"Miley")
<\/a>During \u201cBlurred Lines\u201d Miley acted like a true Beta programming slave \u2013 while Robin acted like a handler. His strange suit featured a dualistic pattern that is used during the programming actual MK slaves. There was also something strange about seeing 20 year old girl (dressed to look younger) rubbing herself of this 36 year old man.<\/p><\/div>\n
As Miley was going crazy on stage, shots of the audience revealed how it was not amused. Facial expressions were ranging from shock, to despair to \u201cWTF\u201d. One could almost feel the hate emanating from the room \u2013 and the entire nation \u2013 while she was performing. And that is what \u201cthey\u201d (Miley\u2019s handlers) were gunning for. Miley was primed and set up to take that fall. Miley was even ridiculed during the intro of her own performance. The MTV awards needed its trademark \u201cshock\u201d moment and the industry needed its \u201csacrificial lamb\u201d to keep its sick, occult, MK-Ultra system going.<\/h5>\nThe one-eyed pedo-bear shirt she had on told her entire story.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/pedo-bear.jpg\" "\\"pedo")
<\/a>The one-eyed, wasted pedo-bear basically told the world who was behind this staged \u201cfalse flag event\u201d.<\/p><\/div>\n
While the \u201ccontroversy\u201d around Miley might help her sell more records for a while, the ongoing public humiliation that is forced on her by her handlers will most likely lead to some kind of meltdown in the future. In an article published<\/span> in 2011<\/span><\/a>, Miley\u2019s father Billy Ray Cyrus stated that her handlers (that\u2019s the word he used) cut him out of the loop and told him to \u201cmind his business\u201d. Like other industry slaves, Miley has no contact with her family. In the interview, Billy Ray added that \u201cSatan was attacking his family\u201d that he was afraid to see her go down the same tragic path as Anna Nicole Smith (a Beta Kitten slave) and Michael Jackson (killed by the industry).<\/h5>\nThis performance and the public backlash that followed is proof of the tight control the industry has on its slaves. I am pretty sure that, deep down inside, Miley knew that this is all ridiculous and embarrassing. But there\u2019s nothing she can do about this.<\/h5>\nLady Gaga<\/h2>\nThere wasn\u2019t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake\u2019s people:<\/h5>\n– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/gaga-in-white-squ.jpg\" "\\"gaga")
<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/Gaga-in-wig.jpg\" "\\"Gaga")
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/gaga-2nd-verse.jpg\" "\\"gaga")
<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2013\/08\/Gaga-as-Venus.jpg\" "\\"Gaga")
<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
Miley Cyrus: The Industry Slave Chosen to Take the Fall<\/h2>\nMiley Cyrus\u2019 display at the VMAs was qualified by many as \u201ctrashy\u201d and \u201cembarrassing\u201d. It was indeed a strange sight to see. It was as if she was doing it on purpose to embarrass herself. Well, here\u2019s a moment of clarity: It WAS done on purpose and, moreseo, it was ALL staged. People commenting on Miley Cyrus appear to forget one, massive detail: There is an enormous marketing machine behind Miley Cyrus and there always was.<\/h5>\n<\/a> Miley\u2019s image has been heavily marketed by Disney since the days she took on the role of Hannah Montana \u2013 a girl who (appropriately enough) had a stage alter persona, with a different wig. Hannah Montana products often had butterflies on them, a slick reminder of how she was a Disney programming slave.<\/p><\/div>\n
Until 2013, Miley was signed with Hollywood Records, a record Label that was founded by Michael Eisgner, the CEO of Disney. Hollywood Records also owns other child stars such as Demi Lovato, Selena Gomez and the Jonas Brothers. Every artist in the record label\u2019s stable has a carefully crafted image to be marketed to its target public. She is now working with Britney Spears\u2019 ex-manager Larry Rudolph and signed with RCA records \u2013 one of the biggest music labels in the world that owns the likes of Justin Timberlake, Britney Spears and Ke$ha.<\/h5>\nAs a product of Mickey Mouse programming Miley underwent a classic \u201cgood girl gone bad\u201d treatment. From a good, wholesome daddy\u2019s girl, Miley turned into a bratty, sex freak who keeps sticking out her tongue and twerking for no reason. While most people are probably tsking at Miley, they do not realize that this whole thing coincided with the release of her new album \u2013 and that it was all ordered by her handlers. In other words, she was selected and programmed to be this year\u2019s main example of a \u201cgood girl gone bad\u201d, a process the occult elite wants the public to constantly witness. They want the masses to see innocence and wholesomeness turn into sleaze and trash. They want pop culture and the youth in general follow the same process. While alchemy is about turning stone into gold, the masses are made to witness the opposite process.<\/h5>\nMiley\u2019s VMA performance is about a child star who was beloved by millions of young people showing what the industry has done to her. It is about shattering the innocence of her fans by having them witness her metamorphosis into one giant sex-obsessed caricature. I\u2019m using the word caricature because it is safe to say that Miley was not 100% herself during the VMA\u2019s. Her oversexualized demeanor was characteristic of a Beta programming slave who had the switched turned \u201con\u201d.\u00a0 It was however not only about being overtly sexual, it was also (and mostly) about being annoying and embarrassing herself \u2013 as if it was a sick, humiliating ritual. Dressed and styled to look like a bratty child, jumping around with giant teddy bears, Miley\u2019s performance was all about getting a negative reaction from the public while continuing the ongoing agenda of sexualizing everything that is related to childhood.<\/h5>\nThings got even stranger when Robin Thicke came out to perform Blurred Lines<\/em>. As its name somewhat stipulates, that song blurs the line between being a flirty and all out creepy. Its video has a strange handler-slave vibe, where Robin, Pharell and T.I. are all sharply dressed while the women dancing around them are completely naked\u2026And being sung lines such as \u201cYou\u2019re an animal\u201d.<\/h5>\n<\/a>While \u201cBlurred Lines\u201d appears to be nothing more than a \u201cfun and sexy video\u201d, the fact that the singers are fully dressed while the models are completely naked denotes a strong relationship of dominance. Forcing slaves to be naked while the masters are dressed is a classic psychological ploy to make slaves feel powerless, vulnerable and inferior.<\/p><\/div>\n
It is therefore not a coincidence that Miley sang this particular song during the VMAs. Her whole act goes with the spirit of the song and, like in the video, there\u2019s a handler\/slave relationship going on in during the performance.<\/h5>\n<\/a>During \u201cBlurred Lines\u201d Miley acted like a true Beta programming slave \u2013 while Robin acted like a handler. His strange suit featured a dualistic pattern that is used during the programming actual MK slaves. There was also something strange about seeing 20 year old girl (dressed to look younger) rubbing herself of this 36 year old man.<\/p><\/div>\n
As Miley was going crazy on stage, shots of the audience revealed how it was not amused. Facial expressions were ranging from shock, to despair to \u201cWTF\u201d. One could almost feel the hate emanating from the room \u2013 and the entire nation \u2013 while she was performing. And that is what \u201cthey\u201d (Miley\u2019s handlers) were gunning for. Miley was primed and set up to take that fall. Miley was even ridiculed during the intro of her own performance. The MTV awards needed its trademark \u201cshock\u201d moment and the industry needed its \u201csacrificial lamb\u201d to keep its sick, occult, MK-Ultra system going.<\/h5>\nThe one-eyed pedo-bear shirt she had on told her entire story.<\/h5>\n<\/a>The one-eyed, wasted pedo-bear basically told the world who was behind this staged \u201cfalse flag event\u201d.<\/p><\/div>\n
While the \u201ccontroversy\u201d around Miley might help her sell more records for a while, the ongoing public humiliation that is forced on her by her handlers will most likely lead to some kind of meltdown in the future. In an article published<\/span> in 2011<\/span><\/a>, Miley\u2019s father Billy Ray Cyrus stated that her handlers (that\u2019s the word he used) cut him out of the loop and told him to \u201cmind his business\u201d. Like other industry slaves, Miley has no contact with her family. In the interview, Billy Ray added that \u201cSatan was attacking his family\u201d that he was afraid to see her go down the same tragic path as Anna Nicole Smith (a Beta Kitten slave) and Michael Jackson (killed by the industry).<\/h5>\nThis performance and the public backlash that followed is proof of the tight control the industry has on its slaves. I am pretty sure that, deep down inside, Miley knew that this is all ridiculous and embarrassing. But there\u2019s nothing she can do about this.<\/h5>\nLady Gaga<\/h2>\nThere wasn\u2019t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake\u2019s people:<\/h5>\n– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
<\/a>Miley\u2019s image has been heavily marketed by Disney since the days she took on the role of Hannah Montana \u2013 a girl who (appropriately enough) had a stage alter persona, with a different wig. Hannah Montana products often had butterflies on them, a slick reminder of how she was a Disney programming slave.<\/p><\/div>\n
Until 2013, Miley was signed with Hollywood Records, a record Label that was founded by Michael Eisgner, the CEO of Disney. Hollywood Records also owns other child stars such as Demi Lovato, Selena Gomez and the Jonas Brothers. Every artist in the record label\u2019s stable has a carefully crafted image to be marketed to its target public. She is now working with Britney Spears\u2019 ex-manager Larry Rudolph and signed with RCA records \u2013 one of the biggest music labels in the world that owns the likes of Justin Timberlake, Britney Spears and Ke$ha.<\/h5>\nAs a product of Mickey Mouse programming Miley underwent a classic \u201cgood girl gone bad\u201d treatment. From a good, wholesome daddy\u2019s girl, Miley turned into a bratty, sex freak who keeps sticking out her tongue and twerking for no reason. While most people are probably tsking at Miley, they do not realize that this whole thing coincided with the release of her new album \u2013 and that it was all ordered by her handlers. In other words, she was selected and programmed to be this year\u2019s main example of a \u201cgood girl gone bad\u201d, a process the occult elite wants the public to constantly witness. They want the masses to see innocence and wholesomeness turn into sleaze and trash. They want pop culture and the youth in general follow the same process. While alchemy is about turning stone into gold, the masses are made to witness the opposite process.<\/h5>\nMiley\u2019s VMA performance is about a child star who was beloved by millions of young people showing what the industry has done to her. It is about shattering the innocence of her fans by having them witness her metamorphosis into one giant sex-obsessed caricature. I\u2019m using the word caricature because it is safe to say that Miley was not 100% herself during the VMA\u2019s. Her oversexualized demeanor was characteristic of a Beta programming slave who had the switched turned \u201con\u201d.\u00a0 It was however not only about being overtly sexual, it was also (and mostly) about being annoying and embarrassing herself \u2013 as if it was a sick, humiliating ritual. Dressed and styled to look like a bratty child, jumping around with giant teddy bears, Miley\u2019s performance was all about getting a negative reaction from the public while continuing the ongoing agenda of sexualizing everything that is related to childhood.<\/h5>\nThings got even stranger when Robin Thicke came out to perform Blurred Lines<\/em>. As its name somewhat stipulates, that song blurs the line between being a flirty and all out creepy. Its video has a strange handler-slave vibe, where Robin, Pharell and T.I. are all sharply dressed while the women dancing around them are completely naked\u2026And being sung lines such as \u201cYou\u2019re an animal\u201d.<\/h5>\n<\/a>While \u201cBlurred Lines\u201d appears to be nothing more than a \u201cfun and sexy video\u201d, the fact that the singers are fully dressed while the models are completely naked denotes a strong relationship of dominance. Forcing slaves to be naked while the masters are dressed is a classic psychological ploy to make slaves feel powerless, vulnerable and inferior.<\/p><\/div>\n
It is therefore not a coincidence that Miley sang this particular song during the VMAs. Her whole act goes with the spirit of the song and, like in the video, there\u2019s a handler\/slave relationship going on in during the performance.<\/h5>\n<\/a>During \u201cBlurred Lines\u201d Miley acted like a true Beta programming slave \u2013 while Robin acted like a handler. His strange suit featured a dualistic pattern that is used during the programming actual MK slaves. There was also something strange about seeing 20 year old girl (dressed to look younger) rubbing herself of this 36 year old man.<\/p><\/div>\n
As Miley was going crazy on stage, shots of the audience revealed how it was not amused. Facial expressions were ranging from shock, to despair to \u201cWTF\u201d. One could almost feel the hate emanating from the room \u2013 and the entire nation \u2013 while she was performing. And that is what \u201cthey\u201d (Miley\u2019s handlers) were gunning for. Miley was primed and set up to take that fall. Miley was even ridiculed during the intro of her own performance. The MTV awards needed its trademark \u201cshock\u201d moment and the industry needed its \u201csacrificial lamb\u201d to keep its sick, occult, MK-Ultra system going.<\/h5>\nThe one-eyed pedo-bear shirt she had on told her entire story.<\/h5>\n<\/a>The one-eyed, wasted pedo-bear basically told the world who was behind this staged \u201cfalse flag event\u201d.<\/p><\/div>\n
While the \u201ccontroversy\u201d around Miley might help her sell more records for a while, the ongoing public humiliation that is forced on her by her handlers will most likely lead to some kind of meltdown in the future. In an article published<\/span> in 2011<\/span><\/a>, Miley\u2019s father Billy Ray Cyrus stated that her handlers (that\u2019s the word he used) cut him out of the loop and told him to \u201cmind his business\u201d. Like other industry slaves, Miley has no contact with her family. In the interview, Billy Ray added that \u201cSatan was attacking his family\u201d that he was afraid to see her go down the same tragic path as Anna Nicole Smith (a Beta Kitten slave) and Michael Jackson (killed by the industry).<\/h5>\nThis performance and the public backlash that followed is proof of the tight control the industry has on its slaves. I am pretty sure that, deep down inside, Miley knew that this is all ridiculous and embarrassing. But there\u2019s nothing she can do about this.<\/h5>\nLady Gaga<\/h2>\nThere wasn\u2019t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake\u2019s people:<\/h5>\n– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
Miley\u2019s VMA performance is about a child star who was beloved by millions of young people showing what the industry has done to her. It is about shattering the innocence of her fans by having them witness her metamorphosis into one giant sex-obsessed caricature. I\u2019m using the word caricature because it is safe to say that Miley was not 100% herself during the VMA\u2019s. Her oversexualized demeanor was characteristic of a Beta programming slave who had the switched turned \u201con\u201d.\u00a0 It was however not only about being overtly sexual, it was also (and mostly) about being annoying and embarrassing herself \u2013 as if it was a sick, humiliating ritual. Dressed and styled to look like a bratty child, jumping around with giant teddy bears, Miley\u2019s performance was all about getting a negative reaction from the public while continuing the ongoing agenda of sexualizing everything that is related to childhood.<\/h5>\nThings got even stranger when Robin Thicke came out to perform Blurred Lines<\/em>. As its name somewhat stipulates, that song blurs the line between being a flirty and all out creepy. Its video has a strange handler-slave vibe, where Robin, Pharell and T.I. are all sharply dressed while the women dancing around them are completely naked\u2026And being sung lines such as \u201cYou\u2019re an animal\u201d.<\/h5>\n<\/a>While \u201cBlurred Lines\u201d appears to be nothing more than a \u201cfun and sexy video\u201d, the fact that the singers are fully dressed while the models are completely naked denotes a strong relationship of dominance. Forcing slaves to be naked while the masters are dressed is a classic psychological ploy to make slaves feel powerless, vulnerable and inferior.<\/p><\/div>\n
It is therefore not a coincidence that Miley sang this particular song during the VMAs. Her whole act goes with the spirit of the song and, like in the video, there\u2019s a handler\/slave relationship going on in during the performance.<\/h5>\n<\/a>During \u201cBlurred Lines\u201d Miley acted like a true Beta programming slave \u2013 while Robin acted like a handler. His strange suit featured a dualistic pattern that is used during the programming actual MK slaves. There was also something strange about seeing 20 year old girl (dressed to look younger) rubbing herself of this 36 year old man.<\/p><\/div>\n
As Miley was going crazy on stage, shots of the audience revealed how it was not amused. Facial expressions were ranging from shock, to despair to \u201cWTF\u201d. One could almost feel the hate emanating from the room \u2013 and the entire nation \u2013 while she was performing. And that is what \u201cthey\u201d (Miley\u2019s handlers) were gunning for. Miley was primed and set up to take that fall. Miley was even ridiculed during the intro of her own performance. The MTV awards needed its trademark \u201cshock\u201d moment and the industry needed its \u201csacrificial lamb\u201d to keep its sick, occult, MK-Ultra system going.<\/h5>\nThe one-eyed pedo-bear shirt she had on told her entire story.<\/h5>\n<\/a>The one-eyed, wasted pedo-bear basically told the world who was behind this staged \u201cfalse flag event\u201d.<\/p><\/div>\n
While the \u201ccontroversy\u201d around Miley might help her sell more records for a while, the ongoing public humiliation that is forced on her by her handlers will most likely lead to some kind of meltdown in the future. In an article published<\/span> in 2011<\/span><\/a>, Miley\u2019s father Billy Ray Cyrus stated that her handlers (that\u2019s the word he used) cut him out of the loop and told him to \u201cmind his business\u201d. Like other industry slaves, Miley has no contact with her family. In the interview, Billy Ray added that \u201cSatan was attacking his family\u201d that he was afraid to see her go down the same tragic path as Anna Nicole Smith (a Beta Kitten slave) and Michael Jackson (killed by the industry).<\/h5>\nThis performance and the public backlash that followed is proof of the tight control the industry has on its slaves. I am pretty sure that, deep down inside, Miley knew that this is all ridiculous and embarrassing. But there\u2019s nothing she can do about this.<\/h5>\nLady Gaga<\/h2>\nThere wasn\u2019t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake\u2019s people:<\/h5>\n– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
<\/a>While \u201cBlurred Lines\u201d appears to be nothing more than a \u201cfun and sexy video\u201d, the fact that the singers are fully dressed while the models are completely naked denotes a strong relationship of dominance. Forcing slaves to be naked while the masters are dressed is a classic psychological ploy to make slaves feel powerless, vulnerable and inferior.<\/p><\/div>\n
It is therefore not a coincidence that Miley sang this particular song during the VMAs. Her whole act goes with the spirit of the song and, like in the video, there\u2019s a handler\/slave relationship going on in during the performance.<\/h5>\n<\/a>During \u201cBlurred Lines\u201d Miley acted like a true Beta programming slave \u2013 while Robin acted like a handler. His strange suit featured a dualistic pattern that is used during the programming actual MK slaves. There was also something strange about seeing 20 year old girl (dressed to look younger) rubbing herself of this 36 year old man.<\/p><\/div>\n
As Miley was going crazy on stage, shots of the audience revealed how it was not amused. Facial expressions were ranging from shock, to despair to \u201cWTF\u201d. One could almost feel the hate emanating from the room \u2013 and the entire nation \u2013 while she was performing. And that is what \u201cthey\u201d (Miley\u2019s handlers) were gunning for. Miley was primed and set up to take that fall. Miley was even ridiculed during the intro of her own performance. The MTV awards needed its trademark \u201cshock\u201d moment and the industry needed its \u201csacrificial lamb\u201d to keep its sick, occult, MK-Ultra system going.<\/h5>\nThe one-eyed pedo-bear shirt she had on told her entire story.<\/h5>\n<\/a>The one-eyed, wasted pedo-bear basically told the world who was behind this staged \u201cfalse flag event\u201d.<\/p><\/div>\n
While the \u201ccontroversy\u201d around Miley might help her sell more records for a while, the ongoing public humiliation that is forced on her by her handlers will most likely lead to some kind of meltdown in the future. In an article published<\/span> in 2011<\/span><\/a>, Miley\u2019s father Billy Ray Cyrus stated that her handlers (that\u2019s the word he used) cut him out of the loop and told him to \u201cmind his business\u201d. Like other industry slaves, Miley has no contact with her family. In the interview, Billy Ray added that \u201cSatan was attacking his family\u201d that he was afraid to see her go down the same tragic path as Anna Nicole Smith (a Beta Kitten slave) and Michael Jackson (killed by the industry).<\/h5>\nThis performance and the public backlash that followed is proof of the tight control the industry has on its slaves. I am pretty sure that, deep down inside, Miley knew that this is all ridiculous and embarrassing. But there\u2019s nothing she can do about this.<\/h5>\nLady Gaga<\/h2>\nThere wasn\u2019t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake\u2019s people:<\/h5>\n– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
<\/a>During \u201cBlurred Lines\u201d Miley acted like a true Beta programming slave \u2013 while Robin acted like a handler. His strange suit featured a dualistic pattern that is used during the programming actual MK slaves. There was also something strange about seeing 20 year old girl (dressed to look younger) rubbing herself of this 36 year old man.<\/p><\/div>\n
As Miley was going crazy on stage, shots of the audience revealed how it was not amused. Facial expressions were ranging from shock, to despair to \u201cWTF\u201d. One could almost feel the hate emanating from the room \u2013 and the entire nation \u2013 while she was performing. And that is what \u201cthey\u201d (Miley\u2019s handlers) were gunning for. Miley was primed and set up to take that fall. Miley was even ridiculed during the intro of her own performance. The MTV awards needed its trademark \u201cshock\u201d moment and the industry needed its \u201csacrificial lamb\u201d to keep its sick, occult, MK-Ultra system going.<\/h5>\nThe one-eyed pedo-bear shirt she had on told her entire story.<\/h5>\n<\/a>The one-eyed, wasted pedo-bear basically told the world who was behind this staged \u201cfalse flag event\u201d.<\/p><\/div>\n
While the \u201ccontroversy\u201d around Miley might help her sell more records for a while, the ongoing public humiliation that is forced on her by her handlers will most likely lead to some kind of meltdown in the future. In an article published<\/span> in 2011<\/span><\/a>, Miley\u2019s father Billy Ray Cyrus stated that her handlers (that\u2019s the word he used) cut him out of the loop and told him to \u201cmind his business\u201d. Like other industry slaves, Miley has no contact with her family. In the interview, Billy Ray added that \u201cSatan was attacking his family\u201d that he was afraid to see her go down the same tragic path as Anna Nicole Smith (a Beta Kitten slave) and Michael Jackson (killed by the industry).<\/h5>\nThis performance and the public backlash that followed is proof of the tight control the industry has on its slaves. I am pretty sure that, deep down inside, Miley knew that this is all ridiculous and embarrassing. But there\u2019s nothing she can do about this.<\/h5>\nLady Gaga<\/h2>\nThere wasn\u2019t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake\u2019s people:<\/h5>\n– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
<\/a>The one-eyed, wasted pedo-bear basically told the world who was behind this staged \u201cfalse flag event\u201d.<\/p><\/div>\n
While the \u201ccontroversy\u201d around Miley might help her sell more records for a while, the ongoing public humiliation that is forced on her by her handlers will most likely lead to some kind of meltdown in the future. In an article published<\/span> in 2011<\/span><\/a>, Miley\u2019s father Billy Ray Cyrus stated that her handlers (that\u2019s the word he used) cut him out of the loop and told him to \u201cmind his business\u201d. Like other industry slaves, Miley has no contact with her family. In the interview, Billy Ray added that \u201cSatan was attacking his family\u201d that he was afraid to see her go down the same tragic path as Anna Nicole Smith (a Beta Kitten slave) and Michael Jackson (killed by the industry).<\/h5>\nThis performance and the public backlash that followed is proof of the tight control the industry has on its slaves. I am pretty sure that, deep down inside, Miley knew that this is all ridiculous and embarrassing. But there\u2019s nothing she can do about this.<\/h5>\nLady Gaga<\/h2>\nThere wasn\u2019t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake\u2019s people:<\/h5>\n– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
Lady Gaga<\/h2>\nThere wasn\u2019t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake\u2019s people:<\/h5>\n– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
– What song will Justin perform?
\n– His latest single.
\n– That\u2019s not enough. We\u2019ve got a lot of dead time to fill here.
\n– How many songs do you want him to sing?
\n– ALL\u2026OF THEM.
\n– Huh?
\n– Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We\u2019ve got a whole of free time to fill here.
\n– Um, OK.<\/h5>\nBut seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause<\/em> is basically a continuation of her \u201cFame Monster\u201d theme where she\u2019s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite\u2019s bidding and throwing around its symbols.<\/h5>\n<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n<\/a>In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n
<\/a>Gaga began her performance with her head inside a white square \u2013 as if saying that she\u2019s a \u201cblank canvas\u201d. She is ready to be painted in any way possible to get applause.<\/p><\/div>\n
We quickly see who \u201cpaints\u201d Gaga.<\/h5>\n
In the last part of her performance, Gaga unveils her last \u201cpersona\u201d \u2013 an embodiment of the goddess Venus as depicted in \u201cThe Birth of Venus\u201d by Botticelli.<\/p><\/div>\n<\/a><\/p>\nDuring her first verse, Gaga wears the wig she had in the videos from her first album such as Paparazzi (read the article about it <\/span>here<\/span><\/a>). She does the one-eye thing to make sure you know that her blank canvas was filled by the Illuminati Agenda.<\/h5>\n
<\/a><\/p>\nDuring the second verse, she wears the wig she had in the video \u201cTelephone\u201d \u2013 the video was about\u00a0 MK programming and killing <\/span>civilians<\/span><\/a>\u2026remember? She does the one-eye thing so you know that was also part of the Illuminati Agenda.<\/h5>\n
<\/a>