{"id":65768,"date":"2013-02-21T15:56:13","date_gmt":"2013-02-21T15:56:13","guid":{"rendered":"http:\/\/www.thetruthseeker.co.uk\/?p=65768"},"modified":"2013-02-28T07:42:41","modified_gmt":"2013-02-28T07:42:41","slug":"lil-wayne%e2%80%99s-%e2%80%9clove-me%e2%80%9d-a-video-glamorizing-kitten-programming","status":"publish","type":"post","link":"https:\/\/www.thetruthseeker.co.uk\/?p=65768","title":{"rendered":"Lil Wayne\u2019s \u201cLove Me\u201d: A Video Glamorizing Kitten Programming"},"content":{"rendered":"

Vigilant Citizen \u2013 Feb 20, 2013<\/h1>\n

Lil Wayne single \u201cLove Me\u201d (featuring Drake and Future) appears to be another rap song about easy girls and so forth. The symbolism of the video however adds a more sinister dimension to the song: It directly refers to Monarch Mind Control, specifically Kitten Programming, and even refers to its techniques. We\u2019ll look at the symbolism of Lil Wayne\u2019s \u201cLove Me\u201d.<\/em><\/h5>\n

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At first glance, Love Me<\/em> appears to be yet another song where rappers brag about how many \u201chos\u201d they got. While some might shake their heads at the unoriginality of the subject matter, others might shake their heads at the way women are portrayed in the video. However, I\u2019ll add another reason to shake your head: Love Me refers to the most terrible practice on earth, Monarch Mind Control (if you don\u2019t know what I\u2019m talking about read this<\/span> article<\/span><\/a>). In short, Beta Programming (also known as Kitten Programming) is used to create brainwashed sex slaves.<\/h5>\n
This programming eliminates learned moral convictions and stimulates the primitive instincts devoid of inhibitions. This training Program (usually for women) is for developing the \u201cultimate prostitute\u201d. This is the most used (by the abusers knowledgeable of the Project Monarch) program.
\n<\/em>– Mark Phillips, Operation Monarch<\/h5>\n
As we\u2019ll see in this article, the video contains ALL of the possible symbolism relating to Kitten Programming and it also emphasizes the slave status of the women in the video. Lil Wayne\u2019s girls are literally locked in cages and depicted as animals. They are also shown in situations that subtly allude to actual MK torture techniques that used to traumatize slaves and cause them to dissociate from reality. Of course, everything is portrayed in a cool and fashionable matter, to make sure young people embrace all of this with even realizing it. Let\u2019s look at the meaning of the video.<\/h5>\n

Women as MK Slaves, Rappers as Handlers<\/h2>\n

In the very first seconds of the video, we see a semi-subliminal image that announces what the video is all about.<\/h5>\n
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For about a second, the fire from the lighter takes the shape of a Baphomet head \/ goat of Mendes. This is a kind of \u201cstamp of approval\u201d of the occult elite and an important symbol used in MK programming.<\/p><\/div>\n

The song is about how women apparently love Lil Wayne. In the video, they however don\u2019t seem to have much of a choice because they are TRAPPED IN CAGES, inside a very dodgy-looking compound.<\/h5>\n
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Future sings about how \u201cb*tches love him\u201d\u2026 but he\u2019s not about to free them from their cages. This contradictory scene somewhat relates to how MK slaves are programmed to identify with and even \u201clove\u201d their handler through confusing mind games.<\/p><\/div>\n

Locking slaves in cages an actual Monarch Programming\u00a0 technique to discipline, traumatize and dehumanize the victims.<\/h5>\n

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A painting made by trauma-based mind control survivor Kim Noble (from the article <\/span>The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas<\/span><\/strong><\/span><\/a>) depicting children locked in cages and observed by a handler.<\/span><\/p>\n

The many close-up shots of girls during the video all somehow allude to an aspect of Kitten Programming. Here are some of them:<\/h5>\n
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This model has a feline prints on her face (which is used in mass media to refer to Kitten programming). To make sure you get the message, she also has cat eyes and is licking her \u201cpaw\u201d. At this point, the video is basically screaming out KITTEN PROGRAMMING.<\/p><\/div>\n

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Licking a blade is maybe sexily dangerous, but also refers to the mix of inhibiting lust and physical abuse involved in Kitten Programming.<\/p><\/div>\n

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This headgear is reminiscent of BDSM stuff but is also a way to represent a slave\u2019s mind being trapped and controlled by a handler.<\/p><\/div>\n

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Kittens are trained to truly embrace their state of servitude. This model appears to be loving her chain very much. A little too much.<\/p><\/div>\n

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This model has a huge butterfly covering one of her eyes, which is probably the most blatant reference to Monarch mind control in the video.<\/p><\/div>\n

In the video, Lil Wayne somewhat plays the role of the handler, where he\u2019s basically in control of these mesmerized women.<\/h5>\n
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Here, Lil Wayne is in a bedroom that is full of water with women swimming in it. Aside from the fact that this water will probably cause a lot of water damage in that room, it is also a way to show that these slaves are literally \u201cout of their element\u201d. Also, notice the frame on the left with butterflies in it. Yes, this is all about Monarch programming.<\/p><\/div>\n

One of Lil Wayne\u2019s first rhymes is:<\/h5>\n
\u201cThese hos love me like Satan, man!\u201d<\/em><\/h5>\n
We then see a quick flash of this image:<\/h5>\n

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This line is perplexing for a few reasons. Why do these \u201chos\u201d love him like Satan? Is he implying that they were loving Satan to begin with? Whether it was intentional or not, this line has profound implications in the realm of Monarch Programming, as slaves are often victims of SRA (Satanic Ritual Abuse), are made to participate in traumatic rituals (where female slaves become \u201cbrides of Satan\u201d) and so forth. Sometimes MK handlers tell their slave they are Satan himself while they are abusing them to further trauma.<\/h5>\n
\u201cAlters within a Monarch slave are conditioned by their servitude to believe that their life is controlled by Satan, who is
\nstronger than God. Where was God when they needed him?\u201d
\n– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave<\/h5>\n
Another one of Wayne\u2019s rhymes is strangely reminiscent to the kind of dialogue a Kitten slave would have with a handler.<\/h5>\n
She say \u201cI never wanna you make you mad,
\nI just wanna make you proud\u201d
\nI say \u201cbaby, just make me c*m,
\nThen don\u2019t make a sound\u201d<\/h5>\n
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Lil wayne soulless<\/p><\/div>\n

The last part of the video is also somewhat disturbing. It begins with \u201ckittens\u201d entering a white room.<\/h5>\n
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They move like cats. You know, like in Kitten programming.<\/p><\/div>\n

They then reach a bathtub full of red liquid (blood) and, for no apparent reason, make a big mess.<\/h5>\n
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The girls are all covered in blood, rolling around in it and everything. Is that supposed to be hot or something? Who in their right mind would do that? Nobody. But these women are NOT in their right mind.<\/p><\/div>\n

Once again, this scene subtly refers to an actual Monarch practice that is used to traumatize slaves and engender dissociation.<\/h5>\n
\u201cIn searching for traumas to apply to little children, the Programmers found that these natural phobias which occur in most people from birth will work \u201cwonderful\u201d to split the mind. Along this line, the following are samples of traumas done to program slaves:
\n(\u2026)<\/h5>\n
C. Immersion into feces, urine and containers of blood. Then being made to eat these things. These are standard traumas.\u201d
\n– Ibid.<\/h5>\n
While the real life implication of this scene is horrible, everything is nevertheless portrayed in a cool and stylized matter, where the models keep doing sensual faces to the camera (in real life, these faces would be completely distorted with pain).<\/h5>\n

In Conclusion<\/h2>\n

Like many other pop songs, Lil Wayne\u2019s Love Me<\/em> has a simple surface meaning\u2013him not caring about haters as long as his \u201chos\u201d love him\u2013but the music video adds a very sinister underlying meaning. Regular readers of this site understand that there\u2019s an undeniable pattern of reoccurring symbolism in popular culture and Love Me<\/em> definitely adds to it. Indeed, in this video, ALL of the symbolism that is associated with Kitten Programming (one eye, butterflies, animal prints, etc.) is represented in the video, along with various references to real life Monarch Programming practices. While each individual element could have been present in the video to symbolize something else than MK-Ultra, tell me \u2026 what are the odds that ALL of these symbols being \u201crandomly\u201d inserted in one, four-minute video? As is the case for other videos reviewed on this site, it is not about pointing out single instances of random symbols, but understanding each piece as a whole and the hidden realities it refers to. One these hidden realities is Monarch programming, one of the occult elite\u2019s favorite practices, one that can be traced back to what Springmeier calls \u201cgenerational satanic families\u201d.<\/h5>\n
While rap has always had a healthy dose of macho bravado, Love Me<\/em> is a deformation of this \u201ctradition\u201d, as it adds a sick, perverted twist to it, including allusions to violence, abuse and even torture. As years go by, this \u201cpushing of the envelope\u201d becomes more apparent as the original culture around hip-hop is slowly but surely becoming \u201cIlluminati-friendly\u201d. Like many other movements in society, hip-hop has been co-opted by the elite to be used as a tool to indoctrinate young people. Are there still real rappers out there? Yes, tons of them. But you\u2019ll probably never seen them on the Grammys.<\/h5>\n

Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The references to mind control and the occult are becoming all the more explicit in modern culture. Vigilant Citizen looks at the latest example<\/p>\n","protected":false},"author":127,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[53,25],"tags":[],"class_list":["post-65768","post","type-post","status-publish","format-standard","hentry","category-mind_control","category-The_Media"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/65768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=65768"}],"version-history":[{"count":9,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/65768\/revisions"}],"predecessor-version":[{"id":66262,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/65768\/revisions\/66262"}],"wp:attachment":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=65768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=65768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=65768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}