{"id":41580,"date":"2012-01-19T09:14:00","date_gmt":"2012-01-19T09:14:00","guid":{"rendered":"http:\/\/www.thetruthseeker.co.uk\/?p=41580"},"modified":"2012-01-28T09:09:14","modified_gmt":"2012-01-28T09:09:14","slug":"doda-and-vintage-bringing-the-illuminati-agenda-to-eastern-european-pop","status":"publish","type":"post","link":"https:\/\/www.thetruthseeker.co.uk\/?p=41580","title":{"rendered":"Doda and Vintage: Bringing the Illuminati Agenda to Eastern European Pop"},"content":{"rendered":"

Vigilant Citizen \u2013 January 18, 2012<\/h1>\n

The Illuminati Agenda in popular culture has become a worldwide phenomenon and it hasn\u2019t spared Eastern Europe. Doda\u2019s \u201cBad Girls\u201d and Vintage\u2019s \u201cTrees\u201d are two examples of very symbolic music videos that are extremely popular in Russia and Poland. We\u2019ll look at these two video and see how their symbolic content is completely on-par with the world elite\u2019s agenda.<\/em><\/h5>\n

\"\"<\/a><\/p>\n

What is called \u201cthe Illuminati\u201d functions on a global scale, so it is only natural that its propaganda machine is also deployed on a global scale. While the American and British artists reach most of the world, \u201cregional\u201d stars are also used to propagate the elite\u2019s Agenda to specific ethnic groups. Previous articles on Vigilant Citizen have described the Illuminati symbolism found in music from Korea, Japan, Latin America and Russia. Despite the difference in culture and language between these countries, today\u2019s globalized mass media machine manages to expose the entire world to a specific Agenda and to a precise set of symbols.<\/h5>\n
Eastern Europe is obviously not exempt from the media machine. Not unlike the rest of the world, pop stars are often handpicked, signed to international record labels and put in the spotlight using videos that are in line with the Illuminati Agenda. In this article, we will look at Doda\u2019s \u201cBad Girls\u201d and Vintage\u2019s \u201cTrees\u201d, two videos that, despite their limited market, have managed to get a lot of airplay and millions of YouTube views. Although not in the same language, both videos are a direct reflection of the philosophy and the goals of the Illuminati and act as a kind of \u201clocal distributors\u201d of the elite\u2019s Agenda. Let\u2019s look at the message of these videos.<\/h5>\n

Doda\u2019s \u201cBad Girls\u201d<\/h2>\n

At first glance, one would be tempted to qualify Doda as a \u201cbimbo\u201d. And her first album cover would probably agree with you.<\/h5>\n

\"\"<\/a><\/p>\n

However, Doda is an extremely popular and influential figure in Poland. In fact, CNN ranked her as as the tenth most famous Pole in history. Yes, in HISTORY. That list includes Pope Jean-Paul II, Copernicus and Marie Curie. Furthermore, the Polish magazine Viva! placed her among the ten most influential women in Poland. Not bad for a bimbo. She also has a knack for creating controversy. In 2010, she caused quite a stir when she stated that the Bible was written \u201cby people who drank too much wine and smoked herbal cigarettes\u201d.<\/h5>\n
Doda\u2019s popularity and sex appeal made her a perfect choice for Illuminati propaganda. After a few albums with the rock band Virgin, Doda began a solo career as a pop singer and her album, the Seven Temptations, appear to have all of the hallmarks of a true Illuminati piece.<\/h5>\n
The video, \u201cBad Girls\u201d, reads like an Illuminati for Dummies: Polish Edition book, cramming into its few minutes of musical horror a complete array of messages. Some might say: \u201cThe Illuminati Agenda exists in the U.S., but not in Poland\u201d and so forth. Well, Doda is signed with Universal Music, one of the five media conglomerates that distribute mass media across the world. It owns labels like Interscope, Geffen, A&M, Defjam, Island and Motown. She is therefore part of the elite\u2019s system and was apparently chosen to be the Illuminati\u2019s representative in Poland.<\/h5>\n

Bad Girls<\/h3>\n

The video takes place in a setting that the Illuminati loves: A futuristic dystopian police state. Cameras and \u201ctele-screens\u201d everywhere, police in riot gear and a faceless ruler: This imagery is present in pop videos around the world.<\/h5>\n
\"\"<\/a>The \u201chero\u201d of the story is Doda, a half-human half-robot, who emerges from some kind of transhumanist scientific lab. The promotion of the merger of humans and robots is a staple of the agenda, as seen in the article\u00a0 \u201cThe Transhumanist and Police State Agenda in Pop Music\u201d<\/span><\/a>.<\/h5>\n
There\u2019s an English version of the song but the lyrics are kind of \u2026 nonsensical. However, they still manage to convey the fact that she\u2019s \u201cdown with the darkside\u201d.<\/h5>\n
\u201cI know my way of my Babylon
\nAll demons know, my booty show
\nGirl dress to kill I\u2019m hell on heels
\nSo come with me, we\u2019ll go oh\u201d<\/em><\/h5>\n
After blasting their way out of the lab, Doda and her girls then meet up in a restaurant that apparently serves humans: Another example of making dehumanization \u201ccool\u201d in music videos.<\/h5>\n
\"\"<\/a><\/h5>\n
In this restaurant for cannibals, Doda and her \u201cbad girls\u201d plan their attack on the big boss of the city.<\/h5>\n
However, the meeting is interrupted by police in riot gear <\/span><\/a>\u2013 a common sight in elite-supported videos (see the article entitled The Transhumanist and Police State Agenda in Pop Music<\/span><\/a>).<\/h5>\n
When Doda sees the guards, she basically loses it and kills them with an animal-like scream (or something of the sort). Most people would be satisfied with such a result, but not Doda. She goes to the morgue where the dead guards are found and \u2026 gets sexy with one of them<\/span><\/a>.<\/h5>\n
After she\u2019s done with the dead guy, a strange phrase appears on his chest, one that appears to sum up the culture of death mass media keeps pushing on the world: \u201cNo Death, No Fun<\/span><\/a>\u201d.<\/h5>\n
Doda\u2019s desecration of a dead body is not over. She accomplishes a symbolic gesture that confirms who is behind the message of the video.<\/h5>\n
\"\"<\/a><\/h5>\n
Doda uses the guard\u2019s eye go past the security system that protects the access that leads to the King of the City. After a corny fight scene, Doda \u201coverthrows\u201d the King of the City and sits at his throne. A pill then emerges from her hand and, looking at the camera, Doda says \u201cTry Me\u201d<\/span><\/a>.<\/h5>\n
\"\"<\/a>The sign on the pill has a heavy meaning. It is the symbol of Mercury, who is also known as Hermes – the “chief god” of the occult elite. Usually, the bottom part of the symbol resembles a plus (+) sign however, in this case, one extremity has been elongated, making the sign look like an inverted cross – a symbol used in Satanism. We therefore have a devil head sitting atop an inverted cross. Can’t get more blatantly symbolic than that.<\/h5>\n
Doda\u2019s overthrow of the King of the City can also be interpreted on a personal level. Since the video is very \u201canatomical\u201d, the action of the video could happen inside a person\u2019s body and mind. In this context, Doda and her girls, who were conceived in government labs, represent the Illuminati agenda that was conceived and calculated in elite think tanks. The message is inherently poisonous (hence \u201cBad Girls\u201d) but is disguised as something sexy and attractive.<\/h5>\n
Doda (representing the propaganda) goes through the viewer\u2019s eye (represented by the poking out of the guard\u2019s eye) in order to access the brain \u2013 represented by the King of the City. She overthrows him and sits at his place, which represents a successful fight against the mind. Doda then asks the viewers to try her \u201cBad Girls\u201d pill.<\/h5>\n
Therefore, in short, the same way Doda emerges from a lab and takes over the city, Illuminati propaganda emerges from think tanks and seeks to take over the masses\u2019 brains through mass media. Popular culture promotes corrupt and debasing values, degrades human life and pushes transhumanism because this is where the elite want to take the world. Will you be swallowing the pill?<\/h5>\n

Vintage\u2019s \u201cTrees\u201d<\/h2>\n

If Doda\u2019s \u201cBad Girls\u201d is a big, loud, heavy-handed and darn near offensive display of symbolism, Vintage\u2019s \u201cTrees\u201d is a much more soothing experience. The subtle symbolism is, however, all the more powerful. While the video appears to be just another other semi-spiritual, pseudo-esoteric and vaguely sensual music video (see Madonna\u2019s \u201cFrozen\u201d), this one, when carefully decoded, has a heavy symbolic meaning: It describes the coming of a \u201cnew era\u201d \u2026 but not before heavy tribulations.<\/h5>\n
As seen in the article entitled Mind Control Symbolism in Russian Pop: Vintage\u2019s \u201cMikkie\u201d<\/span><\/a>, the group has already produced Illuminati-heavy music videos. That being known, is it surprising that the group\u2019s latest video depicts the ultimate goal of the occult elite, namely the creation of a New World Order? Let\u2019s look at the video\u2019s most symbolic scenes.<\/h5>\n
The video begins in a dry and windy desert. Everything in the scene is in monochrome except for Anna\u2019s dress, which is bright red<\/span><\/a>. As we\u2019ve seen in several previous articles, red clothing represents initiation and sacrifice. Anna walks towards a pyramid made of half-naked people who appear to be mesmerized by a mysterious source of light.<\/h5>\n
\"\"<\/a>

The people that make up the pyramid seem to be revering a light at the apex of the pyramid. The source of that light is unknown ... for now. Click to enlarge<\/p><\/div>\n

This pyramidal shape and its glowing capstone are very similar to a symbol many of you might be familiar with: The pyramid and All-Seeing Eye of the Great Seal of the United States<\/span><\/a> \u2013 the main symbol associated with the occult elite, the Illuminati.<\/h5>\n
While the pyramid in Vintage\u2019s video is very similar to the one on the Great Seal, there is a notable difference between the two: The one in the video is made of people. These people blending together to form the base of the pyramid represent the masses, which is the true source of power of the elite. Without the compliance (and ignorance) of the general population, the \u201cGreat Work\u201d of the elite \u2013 a New World Order \u2013 would never happen. The people in the pyramid are very cattle-like, acting like lascivious zombies who are subject to their basest instincts.<\/h5>\n
\"\"<\/a>

Inside the pyramid is basically one big orgy - which goes in line with the elite's view of the masses: A big herd of animals that need to be kept distracted and under control.<\/p><\/div>\n

A recurrent scene in the video appears to refer to the occult powers of sexuality, whether it be for illumination or manipulation.<\/h5>\n
\"\"<\/a>

Anna is sitting in a "chakra activation" position and performing a gesture reminiscent to Baphomet's "As Above so Below" hand sign. Behind Anna is an inverted triangle, a symbol that occultly represents the feminine. The combination of all of these images, and, of course, the lips, point towards Sex Magik - a tool used by occultists for enlightenment, but that can also be used to control and manipulate. Click to enlarge<\/p><\/div>\n

Reminiscent of Eliphas Levi’s depiction of Baphomet in the same “chakra activation” position and performing a similar handsign<\/span><\/a>.<\/h5>\n
The video then goes \u201cunderground\u201d, where an important process occurs: The impregnation of Anna.<\/h5>\n
\"\"<\/a>

Below the ground, Anna is dressed in black (color of death and rebirth) and is tied up. She is surrounded by a bunch of nasty looking guys who are about to do nasty things to her.<\/p><\/div>\n

In the following scene, we see the result of this simulated gang bang: A pregnant Anna posing in a way similar to the classic painting \u201cBirth of Venus<\/span><\/a>\u201d. We then see a countdown from the year 2012 to the year zero, which is associated with the birth year of Jesus Christ.<\/h5>\n
When the countdown is over, a figure appears at the top of the illuminated pyramid<\/span><\/a>.<\/h5>\n
Is this the second coming of Christ \u2026 or the coming of the anti-Christ? This new figure is definitely not the result of an \u201cimmaculate conception\u201d as her conception happened while she was tied up and raped in a a hellish, underground setting. The Christ figure is nevertheless revered by the masses. Anna-Christ then raises her hand and causes a great deal of death and destruction<\/span><\/a>.<\/h5>\n
Many people from the masses die from the tribulations <\/span><\/a>– a fact that Anna-Christ doesn’t seem to care about and that Anna in red almost celebrates.<\/h5>\n
After the period of \u201ctribulations\u201d is, a New World (Order) can start to grow. The video ends with new life emerging from the ground<\/span><\/a>.<\/h5>\n
This video is symbolic on several levels. It combines history, civilization and spirituality in a tale of initiation, death and rebirth. Atop an illuminated pyramid, a spiritual leader appears at the year zero \u2013 which denotes the beginning of a new Age, a new era or a new aeon \u2013 shakes up the entire world. While this figure appears to be the second coming of Christ, those who are acquainted with the Book of Revelation might notice that this new leader, which was conceived in an underground pit, bears many similarities to the Bible\u2019s description of the Antichrist (also referred to as \u201cthe Beast\u201d).<\/h5>\n
\u201cThe beast, which you saw, once was, now is not, and will come up out of the Abyss and go to his destruction. The inhabitants of the earth whose names have not been written in the book of life from the creation of the world will be astonished when they see the beast, because he once was, now is not, and yet will come.\u201d
\n<\/em>– Revelation 17:8 (NIV)<\/h5>\n
As we have seen in previous articles (i.e. the article on the movie Metropolis), the Illuminati places a great importance on the Book of Revelation and its telling of the Apocalypse. The esoteric interpretation of this Biblical enigma associates it with the end of the Age of Pisces and the beginning of the Age of Aquarius.<\/h5>\n
On an occult level, the process shown in the video can be compared to the steps of the Great Work of Alchemy: Nigredo, Albedo and Rubedo (translated to Blackening, Whitening and Reddening). These are the three alchemical steps to turn a crude metal into gold and, on a spiritual level, to turn a profane person to an illuminated person. These steps are represented by Anna\u2019s clothing. In alchemy, the step of Blackening involves the putrefaction and decomposition of a body into its primal matter in order to create new life and is associated with \u201cthe difficulties man has to overcome on his journey through the underworld\u201d. Anna was dressed in black in the scene where she was in an underground pit and \u201cbeing consumed\u201d by men. The process of Blackening leads to the birth of a new life, which is the step of Whitening \u2013 represented by Anna-Christ dressed in white. The final step, the Reddening, is manifested when man is master over both the physical as the spiritual world and is represented by Anna in red, the initiate who is the center focus of the video.<\/h5>\n
The world elite often represents its plans towards a New World Order as an alchemical \u201cGreat Work\u201d. An example of this can be found on the Murals in headquarters of Bank of America (see the article Analysis of the Occult Symbols Found on the Bank of America Murals<\/span><\/a>). According to their philosophy, the entire world can be subject to the same alchemical transformation that is applied to a single individual. The process would undoubtedly involve a lot of death and destruction but that appears to be \u201cpart of the plan\u201d (as portrayed by the dead bodies found in the video). Is this why the coming of an Antichrist is portrayed in a positive way in the video?<\/h5>\n

In Conclusion<\/h2>\n

Doda\u2019s \u201cBad Girls\u201d and Vintage\u2019s \u201cTrees\u201d are two very different videos, yet they have an important thing in common: they both portray critical parts of the Illuminati Agenda in mass media. While the first video is a perfect example of how popular culture aims to debase the masses with self-destructive values, the second describes the \u201cgrand scheme of things\u201d, according to the elite\u2019s philosophy.<\/h5>\n
These two videos are just two examples of the Illuminati\u2019s efforts to expose the entire world to its Agenda and symbolism. Through veiled tales of initiation and transformation, the masses unconsciously witness, via \u201centertainment\u201d, celebrations of their own demise. In the same way that the people in Vintage\u2019s pyramid revere an unknown source of light, the masses idolize stars that work for an unseen elite.\u00a0 Will the masses be one day indoctrinated enough to welcome a \u201csaviour\u201d that will appear at the top of the Illuminati\u2019s pyramid? Only time will tell.<\/h5>\n

Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Illuminati Agenda in popular culture has become a worldwide phenomenon and it hasn\u2019t spared Eastern Europe. Vigilant Citizen looks at two recent examples from Russia and Poland <\/p>\n","protected":false},"author":127,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[61,53,25,30],"tags":[],"class_list":["post-41580","post","type-post","status-publish","format-standard","hentry","category-Commentary","category-mind_control","category-The_Media","category-The_Unexplained_esoteric_and_hidden_knowledge"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/41580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=41580"}],"version-history":[{"count":17,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/41580\/revisions"}],"predecessor-version":[{"id":42028,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/41580\/revisions\/42028"}],"wp:attachment":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=41580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=41580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=41580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}