Produced by Zack Snyder (Watchmen, 300<\/em>), Sucker Punch<\/em> describes the quest of a girl attempting to escape a mental hospital where she was forcibly placed. In order to achieve this goal, our heroine, \u201cBaby Doll\u201d, and her friends, must find five items that will be used to escape the institution. Most critics did not appreciate the video game-like plot line of Sucker Punch<\/em> and were confused its several levels of alternate realities.<\/span><\/p>\n The movie does come across as confusing, because there is one important fact about this movie that is not known to most viewers that makes the movie (slightly more) cohesive and coherent: Sucker Punch<\/em> is about trauma-based mind control. It tells the story of a victim of Monarch Programming (more specifically Beta or Kitten programming) as she becomes increasingly dissociative. The movie takes place in the slave\u2019s psyche, where dissociation is a defence mechanism to escape the unbearable trauma of abuse. The deep dark secrets of Monarch mind control are never truly presented on screen yet they are implied in meanings and symbols throughout the movie.<\/span><\/p>\n (Note: If you are not familiar with Monarch programming, I suggest you read the article titled <\/span>Origins and Techniques of Monarch Mind Control<\/span><\/strong><\/a> <\/span>before continuing with this one).<\/span><\/p>\n Sucker Punch<\/em> provides a taste of the confusion lived by actual MK slaves as the film subjects its viewers to some of the same mind twisting: illusion, deceit, reversals and doublespeak. As the movie advances, the line between reality and fiction becomes increasingly blurry and messages become mixed up. At face value, the movie can be perceived as being about the the empowerment of women, but the mind control symbolism of the movie indicates that it is actually about the exact opposite. Our hero Baby Doll is looking for \u201cfreedom\u201d but, in the end, \u201cfreedom\u201d is definitely not what she thought it would be. In fact, the entire movie can be understood in two completely opposite ways, making it quite a mind bender. Sucker Punch<\/em> begins with an off-screen voice saying:<\/span><\/p>\n \u201cEveryone has an angel. A guardian who watches over us. We can\u2019t know what form they\u2019ll take. One day, old man. Next day, little girl. But don\u2019t let appearances fool you. They can be as fierce as any dragon. Yet they\u2019re not here to fight our battles \u2026 but to whisper from our heart \u2026 reminding that it\u2019s us. It\u2019s everyone of us who holds the power over the worlds we create.\u201d<\/span><\/em><\/p>\n Like many other parts of the movie, this introduction can refer to guardian angels helping people take charge of their life or to mind control handlers who have the power to manipulate the thoughts of MK slaves. This only one of the several possible double meanings in the movie.<\/span><\/p>\n The movie takes place during the 1950-60s (despite glaring anachronisms), a period during which actual MK-Ultra experiments were known to be taking place. The main protagonist of Sucker Punch<\/em> is a twenty year old girl known only as Baby Doll. Her name strongly suggests mind control: \u201cbaby dolls\u201d do not control their movements or environments. Baby Doll\u2019s background and road to mind control mirrors the story of many real life Monarch slaves: an abusive parent caused multiple traumas at a young age, making her predisposed to dissociation. Her \u201cownership\u201d is then transferred to an institution where the actual programming takes place, under the supervision of specialists (handlers).<\/span><\/p>\n The story of Baby Doll is indeed the typical story of real life Monarch slaves, who are often subjected to abuse at a young age. After several years of mistreatment, the ruthless parental figures have then no trouble handing over the children to MK authorities \u2013 clearing them of the possible criminal charges they could face for years of abuse.<\/span><\/p>\n The movie\u2019s introductory sequences presents Baby Doll\u2019s source of trauma: <\/span>an evil step-father<\/span><\/strong><\/a>.<\/span><\/p>\n Baby Doll’s drunk step-father looking to abuse her. Many Monarch slaves come from abusive households or multi-generational ritual abuse families.<\/span><\/p>\n \u201cThe type of father who is most preferred by the Programmers to offer up their children for programming is the phile. If a father will abuse his own little baby girl, then the Programmers know that the man has no conscience. This father\u2019s involvement in criminal activity (and thereby his vulnerability) can be continually increased. They want men who they believe will not develop any qualms later on in life about what they have done.\u201d<\/em> The step-father’s wounds around the eye<\/strong> <\/span><\/a>produce an emphasis on the “one-eye” symbol, which represents, as seen in other articles, Illuminati mind control. The one-eye symbol appears in other instances during the movie.<\/span><\/p>\n The step-father calls the police and accuses Baby Doll of killing her own sister \u2013 a crime he committed. She is arrested by the police and immediately drugged. Her ordeal as a Monarch slave begins.<\/span><\/p>\n Baby Doll is given a sedative by state officials<\/span><\/strong><\/a> <\/span>and taken to the mental institution, which turns out to be a mind-control programming site. Mind-control slaves are constantly drugged by their handlers to facilitate their programming.<\/span><\/p>\n The mental institution in which Baby Doll is placed has all of the characteristic of a mind-control programming site. The threat of physical and sexual abuse is constant during the entire movie and several techniques are used to trigger dissociation.<\/span><\/p>\n Music is extremely important in the institution (and in actual Monarch mind control) where it is used as a programming tool. Most of the songs heard during the movie have suggestive lyrics which, in the context of mind control, can to trigger dissociation. As Baby Doll is taken to her cell, Yoav\u2019s cover of the song \u201cWhere is my Mind\u201d is heard. The lyrics describe the feeling of dissociation:<\/span><\/p>\n With your feet in the air and your head on the ground Where is my mind In the institution, Baby Doll learns that her step-father paid to subject her to the ultimate form of mind control: a complete lobotomy. The administrator of the mental institution tells the step-father: \u201cDon\u2019t worry, she won\u2019t even remember her name when I\u2019m done with her\u201d.<\/span><\/p>\n The movie then fast forwards to the scene of the lobotomy.<\/span><\/p>\n Lobotomies were performed by inserting a sharp instrument through an eye<\/strong> <\/span><\/a>of the victim to “disactivate” the prefrontal cortex. The movie emphasizes the symbolism of the needle going through an eye to as it symbolically represents Illuminati mind control.<\/span><\/p>\n Right at the moment where the doctor is about to hammer the orbitoclast into Baby Dolls\u2019 brain, dissociation occurs and the viewers are taken to an alternate reality. We are taken to the dissociative, imaginary world created by Baby Doll\u2019s psyche, in which she embodies an alter persona: a Beta Kitten.<\/span><\/p>\n In Monarch mind control, there are several types of programming, depending on the use the handlers want to make of the slave. In Sucker Punch<\/em>, it is obvious that Baby Doll and her friends are subjected to Beta Programming \u2013 also known as Kitten programming. The emphasis in the beginning of the movie on her step-father\u2019s abuse is, in Monarch Programming terms, the anchor.<\/span><\/p>\n \u201cAll the programming of each & every slave is anchored upon some type of trauma. One of the first fundamental traumas will be watched, filmed, coded & used as an anchor. For instance, the most brutal abuse of a girl by her father will be used as an anchor upon which to build the Beta programming. (\u2026) Extreme psychosis is created within a child trying to deal with the issues created by the incest from the child\u2019s most important figure\u2013their father figure.\u201d<\/em> In Baby Doll\u2019s alternate reality, the mental institution becomes a club run by a mobster \u2013 who is, in real life, the institution\u2019s administrator. The \u201cmental patients\u201d of the institution are dancers\u2026with extras. This distorted version of reality implies one important thing that is not directly mentioned in the movie: If Baby Doll deals in prostitution in her alternate reality, it implies that she is subjected to the same treatment in the mental institution. In actual Monarch programming, repeated and systematic abuse is used to create trauma and dissociation.<\/span><\/p>\n In her alternate reality, Baby Doll embodies an alternate persona \u2013 what is called a Kitten \u2013 who are programmed to give favors. The programming removes inhibitions and, as we\u2019ll see, Baby Doll will be trained to \u201clet herself go\u201d and become sensual on demand.<\/span><\/p>\n It is during the scene of the lobotomy that we first see Baby Doll dissociating, turning the sordid operation into an alluring dance routine.<\/span><\/p>\n Baby Doll being strapped and prepared for the lobotomy.<\/span><\/p>\n Baby Doll’s alternate world reflecting yet distorting her lobotomy – it is now the premise of an erotic dance routine.<\/span><\/p>\n Despite appearances to the contrary, the movie never truly condemns forced prostitution or even mind-control practices. Everything is turned into a fantasy, making the situation cool and attractive. For example, Baby Doll\u2019s Kitten alter persona is constantly dressed as a schoolgirl who is brought in by a priest.<\/span><\/p>\n Baby Doll’s Sex Kitten alter has a different past. Real Monarch programming slaves are programmed to have different alters, who have different pasts, different attitudes and, sometimes, even speak using different accents than the “core” persona. In Baby Doll’s case, <\/span><\/span>her abusive step-father becomes a priest<\/span><\/strong><\/a>.<\/span><\/p>\n In her alternate reality, Baby Doll is forced to dance and please clients. Since her alternate world is a product of dissociation, which \u201csugar-coats\u201d reality to make it bearable, we can deduce that she is forced to do the same actual mental institution, but the movie never actually shows it.<\/span><\/p>\n Baby Doll is told that she is to please clients. <\/span>Note the animal print cushions alluding to Kitten programming<\/span><\/strong><\/a>.<\/span><\/p>\n Sweet Pea, another “patient”\/slave, practices her dance moves. <\/span>She too is wearing feline print<\/span><\/strong><\/a>, used in Monarch mind control to identify Beta Kittens.<\/span><\/p>\n Blondie, played by Vanessa Hudgens, <\/span><\/span>also wears feline prints<\/span><\/strong><\/a>. Despite not being blonde, she is called Blondie, reflecting Kitten programming’s obsession with blondes (see Marilyn Monroe).<\/span><\/p>\n Vanessa Hudgens is a former Disney star; as stated in previous articles, there are numerous links between Disney\u2019s child stars and Monarch programming.<\/span><\/p>\n Hudgens got this butterfly tattoo<\/strong> <\/span><\/a>(which was highly publicized for some reason) around the time Sucker Punch was released. Tattoos are used in Monarch programming to identify slaves.<\/span><\/p>\n Not unlike other movies on the theme of mind control (see<\/span> Black Sw<\/span>an<\/span><\/strong><\/span><\/a>), tricky mirror effects and confusing reflections are often used during Sucker Punch<\/em> to symbolize the blurring of the line between reality and fiction and to give the viewers a small sense of the world of a MK Slave.<\/span><\/p>\n Tricky mirrors and camera movements cause viewers realize that they were looking at inverted reflections during an entire scene – warning them to never trust what they see. <\/span>Notice the butterfly between the mirrors<\/span><\/strong><\/a>, a symbol of Monarch programming.<\/span><\/p>\n When one of the slaves is shot and killed by Blue, the club the owner, the camera moves to an illuminated mirror from which falls a baby picture of her. <\/span>Notice the butterfly<\/span><\/strong><\/a>.<\/span><\/p>\n Almost all films on mind control feature a shattered mirror at one point – representing the shattering of the slave’s personality. In Sucker Punch, the <\/span>mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\n So where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\n Using music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\n During her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\n During this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\n The second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\n One pill makes you larger And if you go chasing rabbits When men on the chessboard When logic and proportion This classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\n In the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\n The other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\n The girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\n During the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\n This disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\n After the doctor performs the lobotomy, he says:<\/span><\/p>\n \u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\n At least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\n After the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\n The weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\n When Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\n Here are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\n The teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\n The <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2011\/07\/Sucker-Punch.jpg\" "\\"Sucker")
<\/a><\/em>\u00a0<\/em>Warning: This article deals with disturbing subject matters and contains major spoilers.<\/span><\/strong><\/p>\nAbuse at home<\/h3>\n
\n– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave<\/span><\/p>\nThe Programming Site<\/h3>\n
\nTry this trick and spin it, yeah
\nYour head will collapse
\nBut there\u2019s nothing in it
\nAnd you\u2019ll ask yourself<\/span><\/p>\n
\nWhere is my mind
\nWhere is my mind<\/span><\/p>\nThe Alternate Reality<\/h3>\n
\n– Ibid.<\/span><\/p>\n<\/a><\/p>\n<\/a><\/p>\nBeta Kittens<\/h3>\n
Mirrors and Butterflies<\/h3>\n
Second Level of Dissociation<\/h3>\n
\nAnd one pill makes you small
\nAnd the ones that mother gives you
\nDon\u2019t do anything at all
\nGo ask Alice
\nWhen she\u2019s ten feet tall<\/span><\/p>\n
\nAnd you know you\u2019re going to fall
\nTell \u2018em a hookah smoking caterpillar
\nHas given you the call
\nCall Alice
\nWhen she was just small<\/span><\/p>\n
\nGet up and tell you where to go
\nAnd you\u2019ve just had some kind of mushroom
\nAnd your mind is moving slow
\nGo ask Alice
\nI think she\u2019ll know<\/span><\/p>\n
\nHave fallen sloppy dead
\nAnd the White Knight is talking backwards
\nAnd the Red Queen\u2019s \u201coff with her head!\u201d
\nRemember what the dormouse said;
\n\u201cFeed Your Head\u201d<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\n
MK Merchandise<\/span><\/h3>\n
![her abusive step-father becomes a priest<\/span><\/strong><\/a>.<\/span><\/p>\nBeta Kittens<\/h3>\nIn her alternate reality, Baby Doll is forced to dance and please clients. Since her alternate world is a product of dissociation, which \u201csugar-coats\u201d reality to make it bearable, we can deduce that she is forced to do the same actual mental institution, but the movie never actually shows it.<\/span><\/p>\nBaby Doll is told that she is to please clients. <\/span>Note the animal print cushions alluding to Kitten programming<\/span><\/strong><\/a>.<\/span><\/p>\nSweet Pea, another “patient”\/slave, practices her dance moves. <\/span>She too is wearing feline print<\/span><\/strong><\/a>, used in Monarch mind control to identify Beta Kittens.<\/span><\/p>\nBlondie, played by Vanessa Hudgens, <\/span><\/span>also wears feline prints<\/span><\/strong><\/a>. Despite not being blonde, she is called Blondie, reflecting Kitten programming’s obsession with blondes (see Marilyn Monroe).<\/span><\/p>\nVanessa Hudgens is a former Disney star; as stated in previous articles, there are numerous links between Disney\u2019s child stars and Monarch programming.<\/span><\/p>\nHudgens got this butterfly tattoo<\/strong> <\/span><\/a>(which was highly publicized for some reason) around the time Sucker Punch was released. Tattoos are used in Monarch programming to identify slaves.<\/span><\/p>\nMirrors and Butterflies<\/h3>\nNot unlike other movies on the theme of mind control (see<\/span> Black Sw<\/span>an<\/span><\/strong><\/span><\/a>), tricky mirror effects and confusing reflections are often used during Sucker Punch<\/em> to symbolize the blurring of the line between reality and fiction and to give the viewers a small sense of the world of a MK Slave.<\/span><\/p>\nTricky mirrors and camera movements cause viewers realize that they were looking at inverted reflections during an entire scene – warning them to never trust what they see. <\/span>Notice the butterfly between the mirrors<\/span><\/strong><\/a>, a symbol of Monarch programming.<\/span><\/p>\nWhen one of the slaves is shot and killed by Blue, the club the owner, the camera moves to an illuminated mirror from which falls a baby picture of her. <\/span>Notice the butterfly<\/span><\/strong><\/a>.<\/span><\/p>\nAlmost all films on mind control feature a shattered mirror at one point – representing the shattering of the slave’s personality. In Sucker Punch, the <\/span>mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\nSecond Level of Dissociation<\/h3>\nSo where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\nUsing music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\nDuring her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp9-e1310590226940.jpg\"){kind=link}
![Note the animal print cushions alluding to Kitten programming<\/span><\/strong><\/a>.<\/span><\/p>\nSweet Pea, another “patient”\/slave, practices her dance moves. <\/span>She too is wearing feline print<\/span><\/strong><\/a>, used in Monarch mind control to identify Beta Kittens.<\/span><\/p>\nBlondie, played by Vanessa Hudgens, <\/span><\/span>also wears feline prints<\/span><\/strong><\/a>. Despite not being blonde, she is called Blondie, reflecting Kitten programming’s obsession with blondes (see Marilyn Monroe).<\/span><\/p>\nVanessa Hudgens is a former Disney star; as stated in previous articles, there are numerous links between Disney\u2019s child stars and Monarch programming.<\/span><\/p>\nHudgens got this butterfly tattoo<\/strong> <\/span><\/a>(which was highly publicized for some reason) around the time Sucker Punch was released. Tattoos are used in Monarch programming to identify slaves.<\/span><\/p>\nMirrors and Butterflies<\/h3>\nNot unlike other movies on the theme of mind control (see<\/span> Black Sw<\/span>an<\/span><\/strong><\/span><\/a>), tricky mirror effects and confusing reflections are often used during Sucker Punch<\/em> to symbolize the blurring of the line between reality and fiction and to give the viewers a small sense of the world of a MK Slave.<\/span><\/p>\nTricky mirrors and camera movements cause viewers realize that they were looking at inverted reflections during an entire scene – warning them to never trust what they see. <\/span>Notice the butterfly between the mirrors<\/span><\/strong><\/a>, a symbol of Monarch programming.<\/span><\/p>\nWhen one of the slaves is shot and killed by Blue, the club the owner, the camera moves to an illuminated mirror from which falls a baby picture of her. <\/span>Notice the butterfly<\/span><\/strong><\/a>.<\/span><\/p>\nAlmost all films on mind control feature a shattered mirror at one point – representing the shattering of the slave’s personality. In Sucker Punch, the <\/span>mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\nSecond Level of Dissociation<\/h3>\nSo where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\nUsing music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\nDuring her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp111-e1310678893932.jpg\"){kind=link}
![She too is wearing feline print<\/span><\/strong><\/a>, used in Monarch mind control to identify Beta Kittens.<\/span><\/p>\nBlondie, played by Vanessa Hudgens, <\/span><\/span>also wears feline prints<\/span><\/strong><\/a>. Despite not being blonde, she is called Blondie, reflecting Kitten programming’s obsession with blondes (see Marilyn Monroe).<\/span><\/p>\nVanessa Hudgens is a former Disney star; as stated in previous articles, there are numerous links between Disney\u2019s child stars and Monarch programming.<\/span><\/p>\nHudgens got this butterfly tattoo<\/strong> <\/span><\/a>(which was highly publicized for some reason) around the time Sucker Punch was released. Tattoos are used in Monarch programming to identify slaves.<\/span><\/p>\nMirrors and Butterflies<\/h3>\nNot unlike other movies on the theme of mind control (see<\/span> Black Sw<\/span>an<\/span><\/strong><\/span><\/a>), tricky mirror effects and confusing reflections are often used during Sucker Punch<\/em> to symbolize the blurring of the line between reality and fiction and to give the viewers a small sense of the world of a MK Slave.<\/span><\/p>\nTricky mirrors and camera movements cause viewers realize that they were looking at inverted reflections during an entire scene – warning them to never trust what they see. <\/span>Notice the butterfly between the mirrors<\/span><\/strong><\/a>, a symbol of Monarch programming.<\/span><\/p>\nWhen one of the slaves is shot and killed by Blue, the club the owner, the camera moves to an illuminated mirror from which falls a baby picture of her. <\/span>Notice the butterfly<\/span><\/strong><\/a>.<\/span><\/p>\nAlmost all films on mind control feature a shattered mirror at one point – representing the shattering of the slave’s personality. In Sucker Punch, the <\/span>mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\nSecond Level of Dissociation<\/h3>\nSo where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\nUsing music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\nDuring her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp10-e1310678357381.jpg\"){kind=link}
![also wears feline prints<\/span><\/strong><\/a>. Despite not being blonde, she is called Blondie, reflecting Kitten programming’s obsession with blondes (see Marilyn Monroe).<\/span><\/p>\nVanessa Hudgens is a former Disney star; as stated in previous articles, there are numerous links between Disney\u2019s child stars and Monarch programming.<\/span><\/p>\nHudgens got this butterfly tattoo<\/strong> <\/span><\/a>(which was highly publicized for some reason) around the time Sucker Punch was released. Tattoos are used in Monarch programming to identify slaves.<\/span><\/p>\nMirrors and Butterflies<\/h3>\nNot unlike other movies on the theme of mind control (see<\/span> Black Sw<\/span>an<\/span><\/strong><\/span><\/a>), tricky mirror effects and confusing reflections are often used during Sucker Punch<\/em> to symbolize the blurring of the line between reality and fiction and to give the viewers a small sense of the world of a MK Slave.<\/span><\/p>\nTricky mirrors and camera movements cause viewers realize that they were looking at inverted reflections during an entire scene – warning them to never trust what they see. <\/span>Notice the butterfly between the mirrors<\/span><\/strong><\/a>, a symbol of Monarch programming.<\/span><\/p>\nWhen one of the slaves is shot and killed by Blue, the club the owner, the camera moves to an illuminated mirror from which falls a baby picture of her. <\/span>Notice the butterfly<\/span><\/strong><\/a>.<\/span><\/p>\nAlmost all films on mind control feature a shattered mirror at one point – representing the shattering of the slave’s personality. In Sucker Punch, the <\/span>mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\nSecond Level of Dissociation<\/h3>\nSo where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\nUsing music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\nDuring her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp12-e1310679297466.jpg\"){kind=link}
![Hudgens got this butterfly tattoo<\/strong> <\/span><\/a>(which was highly publicized for some reason) around the time Sucker Punch was released. Tattoos are used in Monarch programming to identify slaves.<\/span><\/p>\nMirrors and Butterflies<\/h3>\nNot unlike other movies on the theme of mind control (see<\/span> Black Sw<\/span>an<\/span><\/strong><\/span><\/a>), tricky mirror effects and confusing reflections are often used during Sucker Punch<\/em> to symbolize the blurring of the line between reality and fiction and to give the viewers a small sense of the world of a MK Slave.<\/span><\/p>\nTricky mirrors and camera movements cause viewers realize that they were looking at inverted reflections during an entire scene – warning them to never trust what they see. <\/span>Notice the butterfly between the mirrors<\/span><\/strong><\/a>, a symbol of Monarch programming.<\/span><\/p>\nWhen one of the slaves is shot and killed by Blue, the club the owner, the camera moves to an illuminated mirror from which falls a baby picture of her. <\/span>Notice the butterfly<\/span><\/strong><\/a>.<\/span><\/p>\nAlmost all films on mind control feature a shattered mirror at one point – representing the shattering of the slave’s personality. In Sucker Punch, the <\/span>mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\nSecond Level of Dissociation<\/h3>\nSo where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\nUsing music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\nDuring her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/vanessa_hudgens_tattoo.jpg\"){kind=link}
![Notice the butterfly between the mirrors<\/span><\/strong><\/a>, a symbol of Monarch programming.<\/span><\/p>\nWhen one of the slaves is shot and killed by Blue, the club the owner, the camera moves to an illuminated mirror from which falls a baby picture of her. <\/span>Notice the butterfly<\/span><\/strong><\/a>.<\/span><\/p>\nAlmost all films on mind control feature a shattered mirror at one point – representing the shattering of the slave’s personality. In Sucker Punch, the <\/span>mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\nSecond Level of Dissociation<\/h3>\nSo where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\nUsing music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\nDuring her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp14.jpg\"){kind=link}
![Notice the butterfly<\/span><\/strong><\/a>.<\/span><\/p>\nAlmost all films on mind control feature a shattered mirror at one point – representing the shattering of the slave’s personality. In Sucker Punch, the <\/span>mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\nSecond Level of Dissociation<\/h3>\nSo where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\nUsing music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\nDuring her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp15.jpg\"){kind=link}
![mirror shatters when Blue attempts to assault Baby Doll<\/span><\/strong><\/a>.<\/span><\/p>\nSecond Level of Dissociation<\/h3>\nSo where do the cool action scenes fit in all this disturbing creepy mess? Well, they all happen in Baby Doll\u2019s head as a way to escape reality. Each action scene occurs when Baby Doll is forced to perform an alluring dance.<\/span><\/p>\nUsing music as a programming tool, Vera Grosky (the institution\u2019s doctor who becomes the dance instructor in the alternate reality) tells Baby Doll to \u201clet everything go\u201d. In other words, she must dissociate. Following Vera\u2019s orders, when the music starts, Baby Doll is catapulted into a second level of fantasy world. During the length of the song, the dance turns, inside Baby Doll\u2019s head, into an imaginary action scene that vaguely reflects reality. This multiple level of dissociation is Baby Doll\u2019s defense mechanism against the cold hard reality: the third level of the action scene means that she is dancing in the second level of the club, which means she is most likely being abused in the first level of the mental institution (I hope this is not too confusing).<\/span><\/p>\nDuring her first dance, Baby Doll dissociates to a world resembling feudal Japan. She is <\/span>wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp16.jpg\"){kind=link}
![wearing a skimpy school girl outfit<\/span><\/strong><\/a>, reminding everyone that, behind all of this, the truth is that she is being used for her body.<\/span><\/p>\nDuring this first dissociative action scene, Baby Doll meets the \u201cWise Man\u201d, the guide who will lead her to \u201cfreedom\u201d \u2026 and I use that word in quotation marks for a reason. While it may appear that throughout the movie, the Wise Man guides Baby Dolls towards liberty, he knows all along that his help will lead her to the exact opposite \u2013 total lobotomy. More on this later.<\/span><\/p>\nThe second action scene takes place in Germany, during WWI. Once again, Baby Doll is forced to dance. The song she must dance to is extremely meaningful: It is a remake of the classic song White Rabbit<\/em> by Jefferson Airplane. In the context of mind control, the song\u2019s lyrics take on a profound meaning:<\/span><\/p>\nOne pill makes you larger\nAnd one pill makes you small\nAnd the ones that mother gives you\nDon\u2019t do anything at all\nGo ask Alice\nWhen she\u2019s ten feet tall<\/span><\/p>\nAnd if you go chasing rabbits\nAnd you know you\u2019re going to fall\nTell \u2018em a hookah smoking caterpillar\nHas given you the call\nCall Alice\nWhen she was just small<\/span><\/p>\nWhen men on the chessboard\nGet up and tell you where to go\nAnd you\u2019ve just had some kind of mushroom\nAnd your mind is moving slow\nGo ask Alice\nI think she\u2019ll know<\/span><\/p>\nWhen logic and proportion\nHave fallen sloppy dead\nAnd the White Knight is talking backwards\nAnd the Red Queen\u2019s \u201coff with her head!\u201d\nRemember what the dormouse said;\n\u201cFeed Your Head\u201d<\/span><\/p>\nThis classic song can be interpreted in several ways but, in the context of this movie, it perfectly fits into the theme of mind control. As seen in previous articles, the movie Alice in Wonderland<\/em> is used as an actual Monarch programming tool, where the slave is told to \u201cfollow the White Rabbit\u201d through the Looking Glass \u2013 the Looking Glass equalling dissociation. For this reason, the symbol of the white rabbit became an important symbol of mind control in popular culture.<\/span><\/p>\nIn the WWI action scene, the girls ride a “mech” that prominently features the <\/span>MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sap13.jpg\"){kind=link}
![MK symbol of the white rabbit<\/span><\/strong><\/a>.<\/span><\/p>\nThe other action scenes follow the same pattern: A dissociative song triggers Baby Doll to go into a fantasy world where she must accomplish a mission. Each mission is a distorted version of the real life mission she and her friends must accomplish to, in the end, escape the institution and find freedom.<\/span><\/p>\nThe girls succeed and obtain the items required, but not without deaths and sacrifices along the way.<\/span><\/p>\nGoing to \u201cParadise\u201d<\/h3>\nDuring the entire movie, Baby Doll\u2019s only goal is to \u201cleave this place\u201d and to \u201cbe free\u201d. At numerous occasions, the process is referred to as \u201cgoing to Paradise\u201d. However, like actual Mind Control slaves, the viewers of the movies are confused with deceitful double-speech and inversions \u2013 using attractive words to describe horrible realities. In the movie, \u201cParadise\u201d and \u201cFreedom\u201d do not equal escaping the mental institution, but rather signify complete dissociation from reality. The Wise Man who seems to be guiding Baby Doll toward \u201cfreedom\u201d actually leads her to the acceptance of her lobotomy as the only way to truly \u201cbe free\u201d.<\/span><\/p>\nThis disturbing ending reflects the even more disturbing reality of Monarch slaves: even if they escape the grips of their handlers, they cannot escape the suffering and the trauma they have been subjected to. Baby Doll apparently realizes this fact. So, in the end, instead of escaping the institution with her friend Sweet Pea, Baby Doll acts as a true hero and sacrifices herself to free her friend, creating a diversion that allows her friend escape. Baby Doll is seized and taken to be lobotomized.<\/span><\/p>\nAfter the doctor performs the lobotomy, he says:<\/span><\/p>\n\u201cDid you see the way she looked at me? Just in that last moment. It was like \u2026 she wanted me to do it\u201d.<\/span><\/em><\/p>\nAt least, Baby Doll\u2019s sacrifice allowed Sweet Pea to escape the institution and be free, right? Not so sure.<\/span><\/p>\nAfter the escape, Sweet Pea is shown at a bus station about to leave town. When she enters the bus, a boy, who looks oddly familiar, looks at her.<\/span><\/p>\nThe weird random kid at the bus station is the same <\/span><\/span>weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp13.jpg\"){kind=link}
![weird random kid that appeared in the WWI scene<\/span><\/strong><\/a>. Since that scene was a result of dissociation, is the scene of the bus station also imaginary?<\/span><\/p>\nWhen Sweet Pea boards the bus, she realizes that the bus driver is the Wise Man who guided Baby Doll toward her lobotomy. He tells her to get some rest because she has \u201ca long way to go\u201d. Is he leading her to freedom or to a dissociative \u201cparadise\u201d?<\/span><\/p>\nMK Merchandise<\/span><\/h3>\nHere are some officially licensed Sucker Punch t-shirt designs that contain their fair share of Illuminati mind control symbolism.<\/span><\/p>\nThe teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/sp17.jpg\"){kind=link}
![The teddy bear with stitched forehead and buttons instead of eyes <\/span><\/strong><\/a>represents children MK slaves and their lost of innocence.<\/span><\/p>\nThe <\/span>rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/i-11496199-550.png\"){kind=link}
![rabbit of the mech with one pupil<\/span><\/strong><\/a>.<\/span><\/p>\nAnother <\/span>shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/t-shirt-sucker-punch-bunny-head.jpg\"){kind=link}
![shirt design featuring an emphasis on one eye<\/span><\/strong><\/a>. Dangling from the sword is the “key” to Baby Doll’s freedom…dissociating into fantasies.<\/span><\/p>\nIn Conclusion<\/h3>\nMost movie goers come out of Sucker Punch believing that its a movie about \u201cempowerment\u201d, \u201cwomen fighting back\u201d and whatever other buzz words they\u2019re using these days. While some might perceive Baby Doll as a strong woman fighting back against the oppression of men, others might conclude that the movie caters to the perversions, turning them into a fantasy. The same double-speak can be attributed to the movie when relating to the theme of mind control. While the main message of the movie appears to be about \u201cfighting for freedom\u201d, a deeper look at the movie reveals that it might be saying the opposite. In the end, Baby Doll\u2019s \u201cbattle\u201d was not one of rebellion and freedom, but for escape and dissociation. Her \u201cguide\u201d was not an agent of liberation, but a handler who owned the keys to her psyche, guiding her into the fracturing of her personality.<\/span><\/p>\nThe final words of the movie, said by an off-screen voice, also play on reversals and double-speak. Is it an empowering speech on self-determination or a description of the handler\u2019s complete control of the slave\u2019s psyche?<\/span><\/p>\n\u201cWho honors those we love with the very life we live? Who sends monsters to kill us and at the same time sings that we\u2019ll never die? Who teaches us what\u2019s real and how to laugh at lies? Who decides why we live and what we\u2019ll die to defend? Who chains us? And who holds the key that can set us free?\u201d<\/span><\/em><\/p>\nThe movie ends with the same words Baby Doll was told before dancing and dissociating the first time.<\/span><\/p>\n](\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2011\/07\/SuckerShirtFinalFlat.jpg\"){kind=link}