![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2019\/04\/Madonna-Madam-x.png\")
<\/a><\/p>\nIn my article about the 2009 Video Music Awards<\/span><\/a>, I dubbed Madonna the \u201cgrand priestess of the music industry\u201d. And, ten years later, we can confidently say that Madonna lived up to that title. Indeed, throughout the years, Madonna\u2019s act consistently put on display her position of power in the music industry, often acting as a \u201cgodmother\u201d to new female superstars.<\/h5>\nTo exemplify this fact, most of her public appearances are imbued with a ritualistic and ceremonial dimension.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2019\/04\/Madonna-Britney-Spears.jpg\")
<\/a>In this \u201ciconic\u201d moment of the 2003 VMAs, Madonna plays the role of the celebrant in a symbolic \u201cwedding\u201d between Britney Spears and Christina Aguilera. It was their \u201cinitiation\u201d into the higher-ups of the music industry. As we\u2019ll see later, Madonna\u2019s newest video Medell\u00edn also contains a symbolic wedding. Click to enlarge<\/p><\/div>\n
Madonna is well aware of the ritualistic meaning behind her performances. Prior to her 2012 Superbowl Half-Time performance, Madonna told Anderson Cooper<\/span><\/a>:<\/h5>\n\u201cThe Superbowl is kind of like the Holy of Holies in America. I\u2019ll come at halfway of the \u201cchurch experience\u201d and I\u2019m gonna have to deliver a sermon. It\u2019ll have to be very impactful.\u201d<\/h5>\nAnd, yup, that performance was \u201cimpactful\u201d.<\/h5>\n![\"\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2019\/04\/madonnasuperbowl.png\")
<\/a>Madonna enters the Superbowl. click to enlarge<\/p><\/div>\n
Madonna entered the Superbowl as an Ishtar-like goddess figure. The entire thing was an occult elite ritual that was replete with symbolism (read my article about it here<\/span><\/a>).<\/h5>\nIn 2019, at 60 years old, Madonna is still at it. While her fans like to gush about how Madonna keeps \u201creinventing herself\u201d, her act is actually quite consistent: It is actually 100% based on the occult elite\u2019s current agenda, combined with an attempt to remain relevant by associating with young and popular artists.<\/h5>\nCase in point: Her new album Madame X<\/em>. Indeed, everything about this album is pure occult elite agenda as it clearly revolves around the dark world of Monarch programming<\/span><\/a>. And, to stay relevant, Madonna recruited Columbian reggeaton star Maluma to dance around her.<\/h5>\nHere\u2019s a look at the symbolism surrounding this new thing she did.<\/h5>\nMadame X<\/h2>\n
<\/a>In this \u201ciconic\u201d moment of the 2003 VMAs, Madonna plays the role of the celebrant in a symbolic \u201cwedding\u201d between Britney Spears and Christina Aguilera. It was their \u201cinitiation\u201d into the higher-ups of the music industry. As we\u2019ll see later, Madonna\u2019s newest video Medell\u00edn also contains a symbolic wedding. Click to enlarge<\/p><\/div>\n
Madonna is well aware of the ritualistic meaning behind her performances. Prior to her 2012 Superbowl Half-Time performance, Madonna told Anderson Cooper<\/span><\/a>:<\/h5>\n\u201cThe Superbowl is kind of like the Holy of Holies in America. I\u2019ll come at halfway of the \u201cchurch experience\u201d and I\u2019m gonna have to deliver a sermon. It\u2019ll have to be very impactful.\u201d<\/h5>\nAnd, yup, that performance was \u201cimpactful\u201d.<\/h5>\n<\/a>Madonna enters the Superbowl. click to enlarge<\/p><\/div>\n
Madonna entered the Superbowl as an Ishtar-like goddess figure. The entire thing was an occult elite ritual that was replete with symbolism (read my article about it here<\/span><\/a>).<\/h5>\nIn 2019, at 60 years old, Madonna is still at it. While her fans like to gush about how Madonna keeps \u201creinventing herself\u201d, her act is actually quite consistent: It is actually 100% based on the occult elite\u2019s current agenda, combined with an attempt to remain relevant by associating with young and popular artists.<\/h5>\nCase in point: Her new album Madame X<\/em>. Indeed, everything about this album is pure occult elite agenda as it clearly revolves around the dark world of Monarch programming<\/span><\/a>. And, to stay relevant, Madonna recruited Columbian reggeaton star Maluma to dance around her.<\/h5>\nHere\u2019s a look at the symbolism surrounding this new thing she did.<\/h5>\nMadame X<\/h2>\n
And, yup, that performance was \u201cimpactful\u201d.<\/h5>\n<\/a>Madonna enters the Superbowl. click to enlarge<\/p><\/div>\n
Madonna entered the Superbowl as an Ishtar-like goddess figure. The entire thing was an occult elite ritual that was replete with symbolism (read my article about it here<\/span><\/a>).<\/h5>\nIn 2019, at 60 years old, Madonna is still at it. While her fans like to gush about how Madonna keeps \u201creinventing herself\u201d, her act is actually quite consistent: It is actually 100% based on the occult elite\u2019s current agenda, combined with an attempt to remain relevant by associating with young and popular artists.<\/h5>\nCase in point: Her new album Madame X<\/em>. Indeed, everything about this album is pure occult elite agenda as it clearly revolves around the dark world of Monarch programming<\/span><\/a>. And, to stay relevant, Madonna recruited Columbian reggeaton star Maluma to dance around her.<\/h5>\nHere\u2019s a look at the symbolism surrounding this new thing she did.<\/h5>\nMadame X<\/h2>\n
<\/a>Madonna enters the Superbowl. click to enlarge<\/p><\/div>\n