{"id":13424,"date":"2010-09-05T00:00:00","date_gmt":"2010-09-05T00:00:00","guid":{"rendered":""},"modified":"2010-11-14T15:42:32","modified_gmt":"2010-11-14T15:42:32","slug":"mind-control-symbolism-in-russian-pop-vintage%e2%80%99s-%e2%80%9cmikkie%e2%80%9d","status":"publish","type":"post","link":"https:\/\/www.thetruthseeker.co.uk\/?p=13424","title":{"rendered":"Mind Control Symbolism in Russian Pop: Vintage\u2019s \u201cMikkie\u201d"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><a href=\"http:\/\/vigilantcitizen.com\/?p=4708\">Direct link to visually rich Vigilant Citizen page<\/a><\/strong><\/p>\n<p><em>On the Vigilant Citizen, we have shown time and time again that mind control symbolism is found in pop music acts. This disturbing trend is not, however, only confined to American artists. Mind control-related themes and symbols can now be found in pop music all across the globe, as a result of the globalization of popular culture. We will look at the themes exploited by one of Russia\u2019s most important groups, Vintage, and explain their hidden meaning.<\/em><\/p>\n<p>As seen in previous articles on The <a href=\"http:\/\/vigilantcitizen.com\">Vigilant Citizen<\/a>, mind control symbolism is often found in the videos of young sexy pop stars who are on the rise. In most cases, the stars take on the role of the mind control victim in the videos, making the symbolism relating to it seem cool, sexy and desirable, while the idea of mind control is unconsciously planted in the minds of young people. Many videos depict rather vividly the harsh reality of being \u201cpuppets of the industry\u201d, to a point that it is all out in the open, but most viewers remain clueless because they can\u2019t see past the thin veil of symbolism found in the videos. This phenomenon is not only found in America, but in all parts of the world: in this case, the Russian pop group Vintage (\u00c2\u00e8\u00ed\u00f2\u00e0\u00e6).<\/p>\n<p>The group\u2014Anna Pletnev, singer and composer Aleksey Romanov and dancer Svetlana Ivanov\u2014released a single titled <em>Mikkie<\/em>, containing all of the aspects of the Illuminati agenda. The themes of mind control, alter-personas, abuse, sexualization, and dehumanization can all be found in this video, as well as in some of their previous works. So, before we get to <em>Mikkie<\/em>, we will quickly look at two previous videos.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<div>PREVIOUS WORKS<\/div>\n<p>Since their debut in 2007, many of Vintage\u2019s singles have contained some sort of commentary on social issues, like prostitution and abuse. References to mind control were also present, although the way those references were presented, the videos seemed to denounce it.<\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=pAajCoE0bcU&amp;feature=player_embedded\">Loneliness of Love \u2013 \u00ce\u00e4\u00e8\u00ed\u00ee\u00f7\u00e5\u00f1\u00f2\u00e2\u00ee \u00eb\u00fe\u00e1\u00e2\u00e8<\/a><\/p>\n<p>This single portrays the singer Anna as a doll who is forced to live the life dictated her \u201chandler\u201d, played by a little girl.<\/p>\n<p>The lyrics of the song also point toward the futility of conformity and of a life dictated by someone\/something else. The best translation of the song I\u2019ve found is probably not 100% accurate, but it is enough to convey the gist of the song. Here\u2019s a particularly significant excerpt:<\/p>\n<p>And after? After<br \/>\nwe\u2019ll press the button on the remote<br \/>\nAnd go to heaven easily and neatly<br \/>\nCarpet<br \/>\nCurved mirrors<br \/>\nWell, those whom we love<br \/>\nwe\u2019ll never be with<br \/>\nWhy we have forgotten<br \/>\nthat we\u2019re people<\/p>\n<p>At the end of the video, Anna breaks the <a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/vintage41-e1283018586951.jpg\">white ribbons holding her<\/a>, representative of her mind-controlled state.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<div>SLEEPWALKER GIRLS (\u00c4\u00e5\u00e2\u00ee\u00f7\u00ea\u00e8-\u00eb\u00f3\u00ed\u00e0\u00f2\u00e8\u00ea\u00e8)<\/div>\n<p>This song describes the harsh realities of a prostitute, as prostitution is a huge issue in Russia. Embedded in the video are symbols relating to mind control: prostitution, ritual abuse and slavery often go hand in hand in Eastern Europe.<\/p>\n<p>Anna gets beaten by a Jon, <a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/vintage5-e1283019514749.jpg\">who then throws money at her<\/a>.<\/p>\n<p>At the end of the video, Anna is shown giving the doll to her daughter, showing that she went through all of that crap to give her things. The doll also represents Anna\u2019s core persona, which she transmits to her daughter, hoping she will lead a better life.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<div>NEW ALBUM<\/div>\n<p>The group\u2019s new album, <em>Sex<\/em> (very subtle marketing), seems to be targeted to a younger crowd and the social commentary seem to have been replaced by outright Illuminati symbolism, on par with what is found in Western pop music.<\/p>\n<p><a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/sexcover.jpg\">Cover of the album Sex<\/a>. Going past the fetishist theme of the cover, the blindfold also represents the \u201cveil\u201d in front of mind-controlled victims eye\u2019s, while the candles allude to the ritualistic nature of sex with MK victims.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<div>Mikkie<\/div>\n<p>At face value, the song is a commentary on popular culture and mass production. The authors also say it is a tribute to Michael Jackson. There is another very important issue described in <a href=\"http:\/\/www.youtube.com\/watch?v=-UUc_DxokMY&amp;feature=player_embedded\">this video<\/a>: mind control. As seen in previous articles, Mickey Mouse (especially the Mickey Mouse hat) is often used as a code for mind control in popular culture. The involvement of Disney and Disney movies in mind control programming have been documented by Fritz Springmeier (you can <a href=\"http:\/\/knowledgefiles.com\/\">download his books for free here<\/a>).<\/p>\n<p><em>Many of the recent Disney movies and cartoons are used in a two-fold manner:<\/em>.<br \/>\n&#8211; Ron Patton, Monarch Programming<\/p>\n<p>* desensitizing the majority of the population, using subliminals and neuro-linguistic programming<\/p>\n<p>* deliberately constructing specific triggers and keys for base programming of highly-impressionable <span style=\"text-decoration: underline;\">MONARCH children<\/span><\/p>\n<p>This video makes full use of the Mickey Mouse = mind control code. Mikkie (Mikey Mouse) is a symbolic representation of the artist\u2019s alter personality\u2014the mind-controlled facade\u2014programmed to be a shallow entertainer.<\/p>\n<p>The video starts with a happy family running into <em>Mikkie<\/em> and finding its <a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/mikki1-e1282871716740.png\">dismembered parts on the street<\/a>. More on that later.<\/p>\n<p>We are then taken to a <em>Mikkie<\/em> <a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/mikki2-e1282872814348.jpg\">production factory<\/a>, where entertainers are mass-produced.<\/p>\n<p>The subject of control wakes up to be programmed. A close-up shot of her eye reveals that she had been \u201ccomputerized\u201d or \u201crobotized\u201d. Furthermore, the entire choreography and the mannerism of the singers and dancers are extremely robotic and mechanical, which puts an emphasis on the soulless, dehumanizing atmosphere of the setting.<\/p>\n<p>Emphasis on the <a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/mikki4-e1282873613492.jpg\">single eye and mouth shut<\/a> reveals that the victim is subject to Illuminati mind control. The importance of the single eye is discussed many times in articles on this site.<\/p>\n<p>The subject\u2019s handlers, the ones accomplishing the programming <a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/mikki5-e1282873870331.jpg\">wear monocles<\/a>(covering one eye), a symbol of power and of Illuminati control.<\/p>\n<p><a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/mikki10-e1282933928191.jpg\">In this scene<\/a>, the subject seems to be giving her \u201cessence\u201d to her Mickey Mouse clones. Notice the \u201cleopard\u201d pattern on her body a reference to \u201csex kitten\u201d programming in mind control, also known as beta programming.<\/p>\n<p><em>\u201cThis is the second Greek letter, and it represents the sexual models and sexual alters that the Programmers are creating. The primitive part of the brain is involved in this type of programming. [&#8230;] <strong>Beta alters generally see themselves as cats.<\/strong>\u201d<\/em><br \/>\n&#8211; Fritz Springmeier, Deeper Insights into the Illuminati Formula<\/p>\n<p>Mickey Mouse is then taken out of the factory and into the \u201creal world\u201d. Mikkie becomes Anna (the singer) and she holds a lit candle in a scene that hints to her self-destructive nature.<\/p>\n<p>It would be interesting to note at this point that Omega programming in mind control relates to self-mutilation and suicide, which causes the subject to effectively \u201cself-destruct\u201d on command or in particular situations.<\/p>\n<p><strong><em>OMEGA.<\/em><br \/>\n&#8211; Ron Patton, Monarch Programming<\/strong> A \u201cself-destruct\u201d form of programming, also known as \u201cCode Green.\u201d The corresponding behaviors include suicidal tendencies and\/or self-mutilation. This program is generally activated when the victim\/survivor begins therapy or interrogation and too much memory is being recovered.<\/p>\n<p>Right after she symbolically lights herself on fire, the scene of the car hitting Mickey is shown again. On the street we only see Mickey\u2019s \u201ccostume\u201d (not Anna\u2019s body) on the street. Is this an attempt by Anna to break free from her programming?<\/p>\n<p>Mickey Mouse\u2014Anna\u2019s alter personality programmed to entertain the masses\u2014is then shown dancing somewhere in Russia with everyday people. She is in her <a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/mikki8-e1282932098399.jpg\">\u201centertainment mode\u201d<\/a>.<\/p>\n<p>After the crowd is gone, we see Anna standing at the <a href=\"http:\/\/vigilantcitizen.com\/wp-content\/uploads\/2010\/08\/mikki9-e1282932418840.jpg\">same bus stop<\/a>, almost nude, seeming depressed and in pain. Even if her <em>Mikkie<\/em> persona is happy and cheerful, the \u201creal Anna\u201d, her core personality is sad, broken and in pain. And cold.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<div>IN CONCLUSION<\/div>\n<p>Vintage is another example of the globalization of the symbols and themes found in the world\u2019s pop music. Way beyond being the simple the result of a trend, the repeated and constant messages found in videos across the world reflect the presence of an effective agenda in global mass media.<\/p>\n<p>Vintage\u2019s last album, combining kiddie themes and music with overt sexuality and dehumanization, brings to the masses of Russia and Eastern Europe the themes the elite want the world-wide public to be exposed to, but with a \u201clocal flavor\u201d. The same way McDonald\u2019s adapts their menus to fit the local culture, Illuminati themes and symbols are communicated to the masses using local artists, who speak the local language and to whom people can relate. By slowly erasing the differences between cultures to instate a global, mass-consumption culture, the New World Order is not presented to the people through the voice of a stern dictator, but with the smiley face of Mickey Mouse.<br \/>\n<span style=\"font-size: 12px;\">Source: http:\/\/vigilantcitizen.com\/?p=4708<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The covert drive for control using occult techniques and symbolism is not confined to the West. Vigilant Citizen looks at an example from Russia, where a \u201clocal flavor\u201d has been added: the same way McDonald\u2019s adapts their menus to fit the local culture<\/p>\n","protected":false},"author":127,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[53],"tags":[],"class_list":["post-13424","post","type-post","status-publish","format-standard","hentry","category-mind_control"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/13424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13424"}],"version-history":[{"count":3,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/13424\/revisions"}],"predecessor-version":[{"id":14338,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/13424\/revisions\/14338"}],"wp:attachment":[{"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thetruthseeker.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}