![\"Elie](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2016\/06\/Elie-Wiesel-in-reference-to-his-own-writings.jpg\")
<\/a><\/p>\nPart 1 : Elie Wiesel and the Merchants of Mendacity<\/h1>\n1. Where Are The Gas Chambers? <\/strong><\/h2>\nLast year\u2019s Holocaust Memorial Day was also the 70th anniversary of the liberation of Auschwitz-Birkenau concentration camp. With the help of the Holocaust Education Trust, mainstream journo Matthew Tucker, a devout Zionist and subscriber to the orthodox Holocaust narrative, spoke to four British \u201cHolocaust survivors\u201d who live in London: Lily, Josef, Renee, and Zigi.\u00a0<\/strong><\/h5>\nWe will deal with their testimonies in Part 2 of this article but will initially set out the first principles of the Holocaust narrative. The main objective of this Holocaust narrative, we shall show, is to establish in the minds of the masses\u2014by means of constantly repeated lies and distortions\u2014the ineradicable idea of the Jews as <\/strong>Eternal Victims, <\/strong><\/em>cruelly treated and hated without respite for centuries.<\/strong><\/h5>\nThis is done in three ways: (1) by playing on the emotions of pity and terror as in Greek tragedy; (2) by depicting the relationship between gentile and Jew as a grotesque, sadomasochistic caricature in which the gentiles are always perceived as pathological bullies and the Jews as their helpless victims; and (3) by producing, on an industrial scale, \u00a0a genre of horror fiction centering around concentration camps and presenting it to the public as historical fact.\u00a0We are dealing, in short, with premeditated deception on a monumental scale.<\/strong><\/h5>\nThis is how the Holocaust Memorial Day Trust describes the Holocaust:<\/h5>\n\u201cBetween 1941 and 1945, the Nazis attempted to annihilate all of Europe\u2019s Jews. This systematic and planned attempt to murder European Jewry is known as the Holocaust (The Shoah in Hebrew).<\/strong><\/h5>\nFrom the time they assumed power in 1933, the Nazis used propaganda, persecution, and legislation to deny human and civil rights to Jews. They used centuries of antisemitism as their foundation.<\/strong><\/h5>\nBy the end of the Holocaust, six million Jewish men, women and children had perished in ghettos, mass-shootings, in concentration camps and extermination camps.\u201d (See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nHowever, there is slight problem. To date, the Holocaust authorities have been unable to prove the existence of a\u00a0single<\/em>\u00a0authentic gas chamber.<\/h5>\n\u201cShow me or draw me a Nazi gas chamber<\/strong><\/a><\/span>!\u201d Holocaust revisionist Robert Faurisson once challenged his critics. \u201cI\u2019m still waiting!\u201d<\/h5>\nUnable to show him a single authentic gas chamber or to silence him, Faurisson\u2019s detractors responded by throwing him into prison and beating him up. Here is a photo of Faurisson in hospital, his face covered in blood. Three Jewish fanatics were responsible for his facial disfigurement.<\/h5>\n
![\"faurisson\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2015\/08\/faurisson.jpg\")
<\/a><\/p>\nOrganized Jewry\u2019s response to this vicious attack on Faurisson was predictably defiant: he had it coming. \u201cSomeone who has provoked the Jewish community for years,\u201d Serge Klarsfeld said cynically , \u201cshould expect this sort of thing.\u201d (See\u00a0this picture<\/strong><\/a><\/span>).<\/h5>\n\u201cShow me or draw me a Nazi gas chamber!\u201d\u00a0<\/em>That was Faurisson\u2019s simple request. The Pyramids of Egypt, roughly 4500 years old, are still available for inspection. Gas chambers, built a little over 70 years ago, are not. Why not? Where have the gas chambers gone?<\/h5>\nNo one has been able to demonstrate the existence of a single authentic gas chamber. Not one gas chamber has ever been produced as evidence that 6 million Jews were killed by the Germans, most of them in gas chambers. What is more, the general public don\u2019t even know this. It is universally assumed that there are dozens of gas chambers dotted all around Germany and Poland\u00a0<\/strong>when in fact there are none<\/strong><\/em>.<\/strong><\/h5>\nFrench author Paul Rassinier (1906-1967), pioneer of Holocaust revisionism, had toured Europe for years in search of somebody who was an actual eyewitness to the extermination of Jews in gas chambers during World War Two:<\/h5>\n\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n![\"For](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2016\/06\/Auschwitz-gaschamber-300x218.jpg\")
<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n![\"](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2016\/06\/Auschwitz-chimneys.jpg\")
<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n![\"JERZY](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2016\/06\/JerzyKosinski2.jpg\")
<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n![\"The](\"https:\/\/www.thetruthseeker.co.uk\/wp-content\/uploads\/2012\/10\/irans-secret-weapon5-Rosenblatts-300x175.jpg\")
<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
Last year\u2019s Holocaust Memorial Day was also the 70th anniversary of the liberation of Auschwitz-Birkenau concentration camp. With the help of the Holocaust Education Trust, mainstream journo Matthew Tucker, a devout Zionist and subscriber to the orthodox Holocaust narrative, spoke to four British \u201cHolocaust survivors\u201d who live in London: Lily, Josef, Renee, and Zigi.\u00a0<\/strong><\/h5>\nWe will deal with their testimonies in Part 2 of this article but will initially set out the first principles of the Holocaust narrative. The main objective of this Holocaust narrative, we shall show, is to establish in the minds of the masses\u2014by means of constantly repeated lies and distortions\u2014the ineradicable idea of the Jews as <\/strong>Eternal Victims, <\/strong><\/em>cruelly treated and hated without respite for centuries.<\/strong><\/h5>\nThis is done in three ways: (1) by playing on the emotions of pity and terror as in Greek tragedy; (2) by depicting the relationship between gentile and Jew as a grotesque, sadomasochistic caricature in which the gentiles are always perceived as pathological bullies and the Jews as their helpless victims; and (3) by producing, on an industrial scale, \u00a0a genre of horror fiction centering around concentration camps and presenting it to the public as historical fact.\u00a0We are dealing, in short, with premeditated deception on a monumental scale.<\/strong><\/h5>\nThis is how the Holocaust Memorial Day Trust describes the Holocaust:<\/h5>\n\u201cBetween 1941 and 1945, the Nazis attempted to annihilate all of Europe\u2019s Jews. This systematic and planned attempt to murder European Jewry is known as the Holocaust (The Shoah in Hebrew).<\/strong><\/h5>\nFrom the time they assumed power in 1933, the Nazis used propaganda, persecution, and legislation to deny human and civil rights to Jews. They used centuries of antisemitism as their foundation.<\/strong><\/h5>\nBy the end of the Holocaust, six million Jewish men, women and children had perished in ghettos, mass-shootings, in concentration camps and extermination camps.\u201d (See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nHowever, there is slight problem. To date, the Holocaust authorities have been unable to prove the existence of a\u00a0single<\/em>\u00a0authentic gas chamber.<\/h5>\n\u201cShow me or draw me a Nazi gas chamber<\/strong><\/a><\/span>!\u201d Holocaust revisionist Robert Faurisson once challenged his critics. \u201cI\u2019m still waiting!\u201d<\/h5>\nUnable to show him a single authentic gas chamber or to silence him, Faurisson\u2019s detractors responded by throwing him into prison and beating him up. Here is a photo of Faurisson in hospital, his face covered in blood. Three Jewish fanatics were responsible for his facial disfigurement.<\/h5>\n
<\/a><\/p>\nOrganized Jewry\u2019s response to this vicious attack on Faurisson was predictably defiant: he had it coming. \u201cSomeone who has provoked the Jewish community for years,\u201d Serge Klarsfeld said cynically , \u201cshould expect this sort of thing.\u201d (See\u00a0this picture<\/strong><\/a><\/span>).<\/h5>\n\u201cShow me or draw me a Nazi gas chamber!\u201d\u00a0<\/em>That was Faurisson\u2019s simple request. The Pyramids of Egypt, roughly 4500 years old, are still available for inspection. Gas chambers, built a little over 70 years ago, are not. Why not? Where have the gas chambers gone?<\/h5>\nNo one has been able to demonstrate the existence of a single authentic gas chamber. Not one gas chamber has ever been produced as evidence that 6 million Jews were killed by the Germans, most of them in gas chambers. What is more, the general public don\u2019t even know this. It is universally assumed that there are dozens of gas chambers dotted all around Germany and Poland\u00a0<\/strong>when in fact there are none<\/strong><\/em>.<\/strong><\/h5>\nFrench author Paul Rassinier (1906-1967), pioneer of Holocaust revisionism, had toured Europe for years in search of somebody who was an actual eyewitness to the extermination of Jews in gas chambers during World War Two:<\/h5>\n\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
This is done in three ways: (1) by playing on the emotions of pity and terror as in Greek tragedy; (2) by depicting the relationship between gentile and Jew as a grotesque, sadomasochistic caricature in which the gentiles are always perceived as pathological bullies and the Jews as their helpless victims; and (3) by producing, on an industrial scale, \u00a0a genre of horror fiction centering around concentration camps and presenting it to the public as historical fact.\u00a0We are dealing, in short, with premeditated deception on a monumental scale.<\/strong><\/h5>\nThis is how the Holocaust Memorial Day Trust describes the Holocaust:<\/h5>\n\u201cBetween 1941 and 1945, the Nazis attempted to annihilate all of Europe\u2019s Jews. This systematic and planned attempt to murder European Jewry is known as the Holocaust (The Shoah in Hebrew).<\/strong><\/h5>\nFrom the time they assumed power in 1933, the Nazis used propaganda, persecution, and legislation to deny human and civil rights to Jews. They used centuries of antisemitism as their foundation.<\/strong><\/h5>\nBy the end of the Holocaust, six million Jewish men, women and children had perished in ghettos, mass-shootings, in concentration camps and extermination camps.\u201d (See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nHowever, there is slight problem. To date, the Holocaust authorities have been unable to prove the existence of a\u00a0single<\/em>\u00a0authentic gas chamber.<\/h5>\n\u201cShow me or draw me a Nazi gas chamber<\/strong><\/a><\/span>!\u201d Holocaust revisionist Robert Faurisson once challenged his critics. \u201cI\u2019m still waiting!\u201d<\/h5>\nUnable to show him a single authentic gas chamber or to silence him, Faurisson\u2019s detractors responded by throwing him into prison and beating him up. Here is a photo of Faurisson in hospital, his face covered in blood. Three Jewish fanatics were responsible for his facial disfigurement.<\/h5>\n
<\/a><\/p>\nOrganized Jewry\u2019s response to this vicious attack on Faurisson was predictably defiant: he had it coming. \u201cSomeone who has provoked the Jewish community for years,\u201d Serge Klarsfeld said cynically , \u201cshould expect this sort of thing.\u201d (See\u00a0this picture<\/strong><\/a><\/span>).<\/h5>\n\u201cShow me or draw me a Nazi gas chamber!\u201d\u00a0<\/em>That was Faurisson\u2019s simple request. The Pyramids of Egypt, roughly 4500 years old, are still available for inspection. Gas chambers, built a little over 70 years ago, are not. Why not? Where have the gas chambers gone?<\/h5>\nNo one has been able to demonstrate the existence of a single authentic gas chamber. Not one gas chamber has ever been produced as evidence that 6 million Jews were killed by the Germans, most of them in gas chambers. What is more, the general public don\u2019t even know this. It is universally assumed that there are dozens of gas chambers dotted all around Germany and Poland\u00a0<\/strong>when in fact there are none<\/strong><\/em>.<\/strong><\/h5>\nFrench author Paul Rassinier (1906-1967), pioneer of Holocaust revisionism, had toured Europe for years in search of somebody who was an actual eyewitness to the extermination of Jews in gas chambers during World War Two:<\/h5>\n\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
\u201cBetween 1941 and 1945, the Nazis attempted to annihilate all of Europe\u2019s Jews. This systematic and planned attempt to murder European Jewry is known as the Holocaust (The Shoah in Hebrew).<\/strong><\/h5>\nFrom the time they assumed power in 1933, the Nazis used propaganda, persecution, and legislation to deny human and civil rights to Jews. They used centuries of antisemitism as their foundation.<\/strong><\/h5>\nBy the end of the Holocaust, six million Jewish men, women and children had perished in ghettos, mass-shootings, in concentration camps and extermination camps.\u201d (See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nHowever, there is slight problem. To date, the Holocaust authorities have been unable to prove the existence of a\u00a0single<\/em>\u00a0authentic gas chamber.<\/h5>\n\u201cShow me or draw me a Nazi gas chamber<\/strong><\/a><\/span>!\u201d Holocaust revisionist Robert Faurisson once challenged his critics. \u201cI\u2019m still waiting!\u201d<\/h5>\nUnable to show him a single authentic gas chamber or to silence him, Faurisson\u2019s detractors responded by throwing him into prison and beating him up. Here is a photo of Faurisson in hospital, his face covered in blood. Three Jewish fanatics were responsible for his facial disfigurement.<\/h5>\n
<\/a><\/p>\nOrganized Jewry\u2019s response to this vicious attack on Faurisson was predictably defiant: he had it coming. \u201cSomeone who has provoked the Jewish community for years,\u201d Serge Klarsfeld said cynically , \u201cshould expect this sort of thing.\u201d (See\u00a0this picture<\/strong><\/a><\/span>).<\/h5>\n\u201cShow me or draw me a Nazi gas chamber!\u201d\u00a0<\/em>That was Faurisson\u2019s simple request. The Pyramids of Egypt, roughly 4500 years old, are still available for inspection. Gas chambers, built a little over 70 years ago, are not. Why not? Where have the gas chambers gone?<\/h5>\nNo one has been able to demonstrate the existence of a single authentic gas chamber. Not one gas chamber has ever been produced as evidence that 6 million Jews were killed by the Germans, most of them in gas chambers. What is more, the general public don\u2019t even know this. It is universally assumed that there are dozens of gas chambers dotted all around Germany and Poland\u00a0<\/strong>when in fact there are none<\/strong><\/em>.<\/strong><\/h5>\nFrench author Paul Rassinier (1906-1967), pioneer of Holocaust revisionism, had toured Europe for years in search of somebody who was an actual eyewitness to the extermination of Jews in gas chambers during World War Two:<\/h5>\n\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
By the end of the Holocaust, six million Jewish men, women and children had perished in ghettos, mass-shootings, in concentration camps and extermination camps.\u201d (See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nHowever, there is slight problem. To date, the Holocaust authorities have been unable to prove the existence of a\u00a0single<\/em>\u00a0authentic gas chamber.<\/h5>\n\u201cShow me or draw me a Nazi gas chamber<\/strong><\/a><\/span>!\u201d Holocaust revisionist Robert Faurisson once challenged his critics. \u201cI\u2019m still waiting!\u201d<\/h5>\nUnable to show him a single authentic gas chamber or to silence him, Faurisson\u2019s detractors responded by throwing him into prison and beating him up. Here is a photo of Faurisson in hospital, his face covered in blood. Three Jewish fanatics were responsible for his facial disfigurement.<\/h5>\n
<\/a><\/p>\nOrganized Jewry\u2019s response to this vicious attack on Faurisson was predictably defiant: he had it coming. \u201cSomeone who has provoked the Jewish community for years,\u201d Serge Klarsfeld said cynically , \u201cshould expect this sort of thing.\u201d (See\u00a0this picture<\/strong><\/a><\/span>).<\/h5>\n\u201cShow me or draw me a Nazi gas chamber!\u201d\u00a0<\/em>That was Faurisson\u2019s simple request. The Pyramids of Egypt, roughly 4500 years old, are still available for inspection. Gas chambers, built a little over 70 years ago, are not. Why not? Where have the gas chambers gone?<\/h5>\nNo one has been able to demonstrate the existence of a single authentic gas chamber. Not one gas chamber has ever been produced as evidence that 6 million Jews were killed by the Germans, most of them in gas chambers. What is more, the general public don\u2019t even know this. It is universally assumed that there are dozens of gas chambers dotted all around Germany and Poland\u00a0<\/strong>when in fact there are none<\/strong><\/em>.<\/strong><\/h5>\nFrench author Paul Rassinier (1906-1967), pioneer of Holocaust revisionism, had toured Europe for years in search of somebody who was an actual eyewitness to the extermination of Jews in gas chambers during World War Two:<\/h5>\n\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
\u201cShow me or draw me a Nazi gas chamber<\/strong><\/a><\/span>!\u201d Holocaust revisionist Robert Faurisson once challenged his critics. \u201cI\u2019m still waiting!\u201d<\/h5>\nUnable to show him a single authentic gas chamber or to silence him, Faurisson\u2019s detractors responded by throwing him into prison and beating him up. Here is a photo of Faurisson in hospital, his face covered in blood. Three Jewish fanatics were responsible for his facial disfigurement.<\/h5>\n
<\/a><\/p>\nOrganized Jewry\u2019s response to this vicious attack on Faurisson was predictably defiant: he had it coming. \u201cSomeone who has provoked the Jewish community for years,\u201d Serge Klarsfeld said cynically , \u201cshould expect this sort of thing.\u201d (See\u00a0this picture<\/strong><\/a><\/span>).<\/h5>\n\u201cShow me or draw me a Nazi gas chamber!\u201d\u00a0<\/em>That was Faurisson\u2019s simple request. The Pyramids of Egypt, roughly 4500 years old, are still available for inspection. Gas chambers, built a little over 70 years ago, are not. Why not? Where have the gas chambers gone?<\/h5>\nNo one has been able to demonstrate the existence of a single authentic gas chamber. Not one gas chamber has ever been produced as evidence that 6 million Jews were killed by the Germans, most of them in gas chambers. What is more, the general public don\u2019t even know this. It is universally assumed that there are dozens of gas chambers dotted all around Germany and Poland\u00a0<\/strong>when in fact there are none<\/strong><\/em>.<\/strong><\/h5>\nFrench author Paul Rassinier (1906-1967), pioneer of Holocaust revisionism, had toured Europe for years in search of somebody who was an actual eyewitness to the extermination of Jews in gas chambers during World War Two:<\/h5>\n\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
<\/a><\/p>\nOrganized Jewry\u2019s response to this vicious attack on Faurisson was predictably defiant: he had it coming. \u201cSomeone who has provoked the Jewish community for years,\u201d Serge Klarsfeld said cynically , \u201cshould expect this sort of thing.\u201d (See\u00a0this picture<\/strong><\/a><\/span>).<\/h5>\n\u201cShow me or draw me a Nazi gas chamber!\u201d\u00a0<\/em>That was Faurisson\u2019s simple request. The Pyramids of Egypt, roughly 4500 years old, are still available for inspection. Gas chambers, built a little over 70 years ago, are not. Why not? Where have the gas chambers gone?<\/h5>\nNo one has been able to demonstrate the existence of a single authentic gas chamber. Not one gas chamber has ever been produced as evidence that 6 million Jews were killed by the Germans, most of them in gas chambers. What is more, the general public don\u2019t even know this. It is universally assumed that there are dozens of gas chambers dotted all around Germany and Poland\u00a0<\/strong>when in fact there are none<\/strong><\/em>.<\/strong><\/h5>\nFrench author Paul Rassinier (1906-1967), pioneer of Holocaust revisionism, had toured Europe for years in search of somebody who was an actual eyewitness to the extermination of Jews in gas chambers during World War Two:<\/h5>\n\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
No one has been able to demonstrate the existence of a single authentic gas chamber. Not one gas chamber has ever been produced as evidence that 6 million Jews were killed by the Germans, most of them in gas chambers. What is more, the general public don\u2019t even know this. It is universally assumed that there are dozens of gas chambers dotted all around Germany and Poland\u00a0<\/strong>when in fact there are none<\/strong><\/em>.<\/strong><\/h5>\nFrench author Paul Rassinier (1906-1967), pioneer of Holocaust revisionism, had toured Europe for years in search of somebody who was an actual eyewitness to the extermination of Jews in gas chambers during World War Two:<\/h5>\n\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
\u00a0\u201c. . . but be has never found even one such person. He found that not one of the authors of the many books charging that the Germans had exterminated millions of Jews during the war had ever seen a gas oven built for such purposes, much less seen one in operation, nor had one of these authors ever been able to produce a live, authentic eyewitness who had done so.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nFor over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century.<\/strong><\/h5>\n<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
<\/a>For over 50 years, the staff at Auschwitz told visitors that the Auschwitz main camp gas chamber was original. Now it is admitted that the gas chamber is a reconstruction. The staff at Auschwitz had been lying to the public for half a century. Click to enlarge<\/p><\/div>\n
It is sobering to reflect that British historian David Irving\u2014who probably knows more about the Holocaust than anyone alive today\u2014was fined 30,000 marks ($21,000) for publicly stating what is now openly and authoritatively conceded: that the extermination gas chamber shown to tourists in Auschwitz was a mock-up or \u201cdummy\u201d. It had never gassed a single Jew. It had been built by the Russians\u00a0after the war.<\/em><\/h5>\nBetween 1938 and 1945, \u00a0the Austrian Jew and left-wing socialist Benedikt Krautsky lived in Dachau, Buchenwald and Auschwitz. He survived them all. After the war, he wrote a book called\u00a0Teufel und Verdammte<\/em>\u00a0(\u2018Devil and Damned\u2019) in which he claimed that 3.5 million Jews were exterminated at Auschwitz. We now know this to be untrue, since in 1989 the Soviet Union released official figures stating definitively that only 1.5 million people, not all Jews, had died at Auschwitz\u2014a revision on the previously inflated 4 million figure of 1948. (See\u00a0this picture<\/a><\/strong><\/span>)<\/h5>\nHowever, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
However, when pressed for details by Rassinier, Krautsky admitted that \u201cnever at any time had he seen a gas chamber and that he had based his information on what others had \u2018told him\u2019.\u201d<\/h5>\nThe reduced figure of 1.5 million dead Jews at Auschwitz was soon reduced to just under<\/em> one million. Officially reduced. No reduction was made, however, to the overall figure of six million Jews who are said to have died in the Holocaust. The six million figure remain sacrosanct\u2014unalterable and set in stone for all time, in complete defiance of the laws of mathematics:<\/h5>\n6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
6 million minus 3 million . . . \u00a0equals 6 million!<\/h3>\nEntire books have been written by Holocaust survivors giving sensational accounts of the horrors of Auschwitz. From start to finish, these books are pure fiction and fabrication. One such book is\u00a0Olga Lengyel\u2019s\u00a0Five Chimneys: A Woman\u2019s True Story of Auschwitz (2005),\u00a0<\/em>originally entitled\u00a0I Survived Hitler\u2019s Ovens<\/em>. In this she makes the ludicrous claim that 24,000 Jews were gassed at Auschwitz every day.<\/h5>\nThe Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
The Romanian Jew\u00a0Miklos Nyizli<\/a><\/strong><\/span>\u00a0(1901-1956) went a bit further and made it 25,000 Jews gassed every day at Auschwitz. The chimneys never stopped belching black smoke. In his book\u00a0Auschwitz: A Doctor\u2019s Eyewitness Account,\u00a0<\/em>he claims to have seen the gas ovens himself, to have worked under Mengele carrying out horrific experiments on his fellow Jews under coercion, and to have witnessed a live victim, a young girl, still writhing under a mound of corpses in one of the gas chambers.<\/h5>\nAs noted elsewhere:<\/h5>\n\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
\u201cAccording to this doctor at Auschwitz, 25,000 victims were exterminated every day for four and a half years. This would mean a total of 41 million victims at Auschwitz by 1945, two and a half times the total pre-war Jewish population of the world.\u201d \u00a0(See\u00a0here<\/a><\/span>)<\/strong><\/h5>\nApologies to our readers. Link disabled. Ed<\/em><\/h6>\n<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
<\/a>\u201cThe chimneys never stopped belching black smoke\u2026\u201d
25,000 corpses a day = 41 million corpses in 4.5 years. Click to enlarge<\/p><\/div>\n
Today, international Jewry and the mainstream media they control refuse to discuss the details of the Holocaust with anyone who questions the event, because, they insist, the murder of 6 million Jews is \u201cobvious.\u201d Anyone who dares to doubt \u00a0this \u201cobvious\u201d truth is now thrown into prison in 17 countries:<\/h5>\n\u201cHolocaust denial is already either implicitly or explicitly a crime in 17 countries, including Austria, Belgium, Canada, the Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovakia, Switzerland and Romania.\u201d<\/strong><\/h5>\nItaly is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
Italy is all set to be the 18th country to make Holocaust revisionism a crime. (See\u00a0here<\/span><\/a>)<\/strong><\/h5>\n\u00a02. \u00a0Holocaust Fiction Presented as Fact<\/strong><\/h2>\nOne of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
One of the earliest attempts<\/strong> to pull the wool over the eyes of the public was Jerzy Kosinki\u2019s The Painted Bird<\/em> (1965), a book that can be described as \u201csadomasochistic Holocaust horror fiction disguised as fact.\u201d The book, now admitted to be a novel, purports to be an autobiographical account of young Jerzy\u2019s wanderings as a child through rural Poland during World War II.<\/h5>\nWherever Jerzy goes, he encounters sadistic, sexually perverted Poles with an undying hatred of innocent, lamblike Jews like himself: Jews always on the run in a cruel, godless world of evil Christians whose only delight lies in killing Jews and raping Jewesses, preferably by hacking off their breasts\u2014a recurrent motif in many of these Holocaust narratives.
\n<\/strong><\/h5>\n<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
\n<\/strong><\/h5>\n
<\/a>JERZY KOSINSKI,
sexually perverted Polish author of The Painted Bird<\/p><\/div>\n
What is particularly nauseating about this essentially pornographic book masquerading as history is the fact that, far from undergoing persecution at the hands of sadistic Polish peasants, Jerzy Kosinski and his family were treated with Christian kindness by all the Poles they encountered. They were protected by a Polish Catholic family, fed, clothed, cosseted, and at no time mistreated.<\/h5>\nThe New York Times<\/em>, nevertheless, was to describe The Painted Bird<\/em>\u00a0as \u201cone of the best indictments of the Nazi era, written with deep sincerity and sensitivity.\u201d<\/h5>\nPassed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
Passed off as an autobiographical memoir, The Painted Bird,\u00a0<\/em>it turns out, was either a plagiarism or cobbled together by a ghost writer at Kosinki\u2019s publisher. Apparently, at the time of writing the book, the degenerate Polish author could barely speak English. \u201cKosinski was in many respects a fake,\u201d M.A. Orthofer, one of his acquaintances, noted. \u201cHe liked to pretend he was someone he wasn\u2019t. He plagiarized and forged left and right<\/a><\/strong><\/span>.\u201d<\/h5>\nThis vicious, sexually perverted novel, an example of Holocaust horror fiction at its worst, went on to become an international bestseller. Translated into several languages, it \u00a0finally became a basic Holocaust text book, diligently studied \u00a0in schools and universities throughout the world.<\/strong><\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
\u2014 \u00a0\u00a7 \u00a0\u2014<\/strong><\/h5>\nLet\u2019s not waste our time discussing in unnecessary detail Misha Defonseca\u2019s\u00a0Misha: A M\u00e9moire of the Holocaust Years<\/strong><\/em> <\/a><\/span>(1997) or Herman Rosenblat\u2019s\u00a0Angel at the Fence: The Story of a Love That Survived<\/strong><\/em><\/span><\/a> (2009, \u201ccanceled before publication\u201d, but still somehow\u00a0available on Amazon<\/a><\/strong><\/span>).<\/h5>\nIn the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
In the first of these, translated into 18 languages and made into a movie, Misha treks 1900 miles across war-torn Europe in search of her Jewish parents and is adopted \u00a0by a pack of kindly and compassionate wolves who help to keep her alive, maybe even suckling her at the breast. For four years, from the ages of seven to 11, the Jewish orphan\u00a0lives on wild berries, raw meat and food stolen from farmhouses, occasionally teaming up with friendly wolves who are always delighted to see her and accompany her on her travels. Very charming, but pure fiction.<\/h5>\nSo why hoax the public? Well, ask the Jewish writers and publishers. They can always justify their lies by quoting the arch-liar Elie Wiesel:<\/h5>\n\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
\u201cSome events do take place but are not true<\/strong>; others are [true], although they never occurred<\/strong>.\u201d
\n\u2014 Elie Wiesel, 1968<\/h5>\nIn the second book, the author Herman Rosenblat finds himself imprisoned in Schlieben concentration camp. In 1944, he meets at the electrified perimeter fence of the camp \u00a0a beautiful nine-year old Jewish girl who is pretending to be a Christian in order to survive in the nasty, Jew-hating world outside. Roma, for that is her name, initiates the relationship by shyly tossing him an apple over the fence. Herman becomes curiously attached to Roma, this angel of mercy, who continues to bring him food parcels for the next seven months. He is then transferred to another camp and loses touch with her.<\/h5>\nIn 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
In 1957, however, Herman finds himself in New York. Restless and lonely and looking for his soul mate, he decides to go on a blind date to Coney Island. And guess what? \u00a0Yes, you guessed it!<\/em> There she is, waiting for him\u2014his girlfriend of long ago!\u2014now a nubile maiden in her early twenties, Roma, ripe and ready for true love, just waiting for Herman to pop the question and gallop off with her into the sunset.<\/h5>\n<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n
No, I kid you not. Hermann quite literally proposes to Roma two minutes into his blind date.\u00a0\u201cYou\u2019re crazy!\u201d she tells him breathlessly. \u201cHow can you marry me when you\u2019ve only known me for two minutes<\/a><\/strong><\/span>?\u201d<\/h5>\nSix months later, he is married to her.<\/h5>\nHere is the happy couple, 48 years later\u2014the blushing bride now a beatifically smiling pensioner aged 73.\u00a0<\/strong><\/h5>\nIt turns out that the entire book was a tissue of lies, but not before it was lauded to the skies on The Oprah Winfrey Show,<\/em> where it was gushingly described by Winfrey as \u201cthe single greatest love story we\u2019ve ever told on the air.\u201d<\/h5>\nAs for Herman, he was gracious enough to apologize to the public for attempting to deceive them. He was, he claims, nevertheless impelled only by the most elevated of motives. \u201cI wanted to bring happiness to people,\u201d Herman explains nobly, \u201cto remind people not to hate but to love. My motivation was to make good in this world.\u201d (Quoted here<\/a><\/strong><\/span>)<\/h5>\nWell, Herman certainly went on to \u201cmake good in this world\u201d, despite his initial setback of having been outed as a total fraud.\u00a0A $25 million film adaptation of the book, titled Flower of the Fence<\/em>, is all set for production by Jewish film producer Harris Salomon of Atlantic Overseas Pictures. As far as Salomon is concerned, fiction presented as fact is not a matter for undue concern. Entertaining the masses, indoctrinating them with Holocaust memes and making a box office hit, that\u2019s all that really matters in the end.<\/h5>\nIt\u2019s all good Shoah business. (See here<\/a><\/strong><\/span>)<\/h5>\n\u2014 \u00a0\u00a7 \u00a0\u2014<\/h5>\nThen there was Binjamin Wilkomirski\u2019s Fragments <\/em>(1996), a book described by the New York Times<\/em> as \u201cstunning\u201d and by the Los Angeles Times\u00a0<\/em>as \u201ca classic first-hand account of the Holocaust.\u201d In\u00a01996 the book won the National Jewish Book Award for Autobiography and Memoir; in Britain it received the Jewish Quarterly Literary Prize; and in France it was awarded the Prix Memoire de la Shoah<\/em>.<\/h5>\nToo bad the book turned out to be a complete hoax.<\/h5>\nIt is curious \u00a0to note that Wilkomirski was outed as a charlatan by a\u00a0real<\/em> Jew, Daniel Ganzfried, himself the child of a Holocaust survivor. Normal Finkelstein huffs: \u201cHalf-fruitcake, half-mountebank, Wilkomirski, it turns out, spent the entire war in Switzerland. He is not even a Jew.\u201d Equally scathing about Wilkomirski is Raul Hilberg, the most prestigious of Holocaust historians, who complains of the publishing industry\u2019s \u201cpoor quality control\u201d and who dismisses the book as \u201chovering between the highly unlikely and the utterly impossible.\u201d<\/h5>\nDespite the book\u2019s fraudulence, it is still constantly lauded as an authentic document and is required reading in many university departments, particularly the one presided over by Barbara Lipstadt at Emory University.<\/h5>\nFor more on the Wilkomirski fraud, see this cult classic article by Holocaust revisionist author Prof. Arthur R. Butz: The Wilkomirski Affair: How a Holocaust Hoaxer was Rewarded for his Lies<\/a><\/strong>.<\/h5>\nContinued in Part 2 : Holocaust Survivors and their Lucrative Scam<\/strong><\/h5>\n(While waiting for Part 2 to appear, check out this 37-minute video <\/a><\/span><\/em><\/strong>in which the traditional Holocaust narrative is torn to shreds.)<\/strong><\/em><\/strong><\/h5>\nLasha Darkmoon<\/a><\/h5>\nDr Lasha Darkmoon<\/strong><\/a><\/span> (b.1978) is an Anglo-American ex-academic with higher degrees in Classics whose political articles and poems have been translated into several languages. Most of her political essays can be found at The Occidental Observer<\/a><\/span> and The TruthSeeker<\/a><\/span>. Her own website, Darkmoon.me, is now within the top 1 percent of websites in the world according to the Alexa ranking system<\/strong><\/h5>\n
<\/a>The Happy Holocaust Hoaxers Herman and Roma Rosenblat. Click to enlarge<\/p><\/div>\n