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henrymakow.com — Nov 1, 2020

The Coen Brothers’ brilliant 2009 movie, A Serious Man, showed the bankruptcy of Judaism as a religion. (See my review below.) 
Until now, I didn’t understand the intriguing Yiddish fable at the beginning of the film. 
A Dybbuk is a malevolent spirit of a deceased person who wanders the world spreading evil. In the fable, (see the video) an affable Dybbuk convinces the husband that he is not the malevolent spirit of a dead man, and that rumors of his death were premature.
But the vigilant wife is not fooled and takes decisive action. She stabs Dybbuk in the heart. Indeed, he does not bleed for he is already dead. 
Evil always impersonates goodness. Think all of our political leaders. Think Fauci and Bill Gates. They pretend to have our best interests at heart when in fact they are Satanists, traitors and gangsters.
Significantly, this Yiddish parable is not from Jewish folklore. Is it that hard to find anything genuinely moral in Jewish folklore? The Coen Brothers wrote it as an important reminder that evil must be unmasked and banished from the body politic through bold action. This 7 1/2 minute video will make a lasting impression.
—–REVIEW—–
The parable is also a metaphor for Judaism itself, a satanic cult defined by Cabala (Satanism) masquerading as a religion; death stalking the world. Cabala taints and ultimately destroys whomever it touches, Jew and non-Jew alike. First Satanism infected Jews, then the world through Freemasonry  (Jewish Cabalism.) We allowed them into our home, the economy and body politic, and as a result, we are satanically possessed and face terrible Biblical retribution.

Updated from Dec. 30, 2017 – by Henry Makow PhD 

The Coen brothers

Hollywood has been accused of portraying Christianity with a jaundiced eye while sugarcoating Jews and Judaism. Or it presents Jews as non-Jews.
Finally, there is a movie that presents Jews realistically. “A Serious Man,”  by Oscar-winning writer-directors Joel and Ethan Coen, satirizes many Jewish types and suggests Judaism is a fraud.
If this begins a trend toward honest self-examination, there is hope yet for the self-chosen people.
Set in Minneapolis in 1967, “A Serious Man” is an homage to the Coen brothers’ Jewish upbringing. The protagonist is physics teacher Larry Gopnik, played by stage actor Michael Stuhlbarg who, like the Biblical Job, is beset by a multitude of difficulties.

 

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