The Phantom Image of Khan and the Movable Crater
How the Inquest struggled to keep the lid on their Edgware Road story
How the Inquest struggled to keep the lid on their Edgware Road story
A dramatic change in attitude toward Israel has occurred. Gilad Atzmon explains: “More and more artists in all fields are embarrassed and appalled to be associated with the Israeli government – they are cancelling appearances in Israel and many wouldn’t even consider performing there”
Welcome to the endgame in the 5000-year war between “Good” and “Evil”
The public information channels have been routed through the municipal sewage systems so that it’s shit in and shit out every day. These mincing martinets prance upon the stage, in the gravitas of dung golems, whose reek is barely masked by the distance provided through the mediums of transmission
Wayne Madsen reports that U.S. and Asian intelligence services believe that China decided to demonstrate to the United States its capabilities on the eve of the G-20 Summit in Seoul
The case is far from closed, writes Dr Stephen Frost
The decline has been dramatic. A trip to a shopping mall in Atlanta after some years in Europe revealed astonishing demographic and cultural changes. Firstly, nearly all the White Americans I saw there and on my way there were elderly and diffident — they looked, in fact, positively archaic, living relics from a bygone age
Wayne Madsen on what President Obama is doing in the wake of one of the worst electoral defeats for the party of an incumbent president in recent history
I’m optimistic about what’s coming and pessimistic about how it will affect the wider population. As an uncle of mine once said, ‘those who cannot hear must feel”. In other words, the universe will come down on us to the degree that it takes us to hear it
While the U.S. continues regular hand-outs to Israel, every night one thousand destitute make their beds in tunnels beneath the cities shimmering malls
Vigilant Citizen examines two recent music videos aimed at teens and pre teens, Willow Smith’s “Whip my Hair” and Rihanna’s “Who’s That Chick”, and finds both filled with Masonic symbolism and dark, subliminal messages
Independent writer Julie Burchill (left), a devout Zionist, has been described as the ‘Queen of English Journalism”. But in her desperate attempts to smear Lauren Booth she proves how deceiving British multiculturalism is. Gilad Atzmon explains