“Hide and Seek”; The Most Blatant Movie About Monarch Mind Control Ever?

Vigilant Citizen — Vigilant Citizen April 4, 2013

“Hide and Seek” is a 2005 thriller movie that did not get great reviews at the time of its release. However, chances are most critics did understand its symbolism and its underlying theme which is all about Monarch Programming. In fact, “Hide and Seek” is probably one of the most blatant movies about Monarch Mind Control in Hollywood’s history. We’ll look at the hidden meaning.

Hide and Seek is not going down in history as Robert De Niro’s most memorable movie. It was bashed by movie critics for its derivative nature and because its ending was deemed “nonsensical”. While it is true that the plot of Hide and Seek has a fair share of logical fallacies, the movie simply cannot be fully understood without knowing about the key element at its core: Trauma-based Mind Control. From the first frame to the last, almost every line and every symbol found in the movie directly refers to concepts associated with mind control, specifically Monarch Programming.
In this particular brand of mind control, children are subjected to trauma so intense that it causes them to dissociate from reality. The slave’s handlers can then program into the children’s minds alter personas that can be triggered at will (for more information about Monarch Mind Control, read the article entitled Origins and Techniques of Monarch Mind Control). In a symbolic and theatrical way, Hide and Seek describes the horrible procedure behind Monarch Programming and hints to the more sadistic aspects of it. The fact that Monarch butterflies appear in key parts of the movie confirm that the whole storyline is based on Monarch Mind Control.
Further, when one understands the handler/slave relationship that is happening in the movie, the “nonsensical” ending becomes a little more “sensical” as it fits precisely with the way Monarch Programming works .
Let’s look at the story of Hide and Seek and the MK symbolism it contains.

Brief Summary

Warning: Gigantic spoilers ahead.
After witnessing the apparent suicide of her mother, a young girl named Emily Callaway (played by Dakota Fanning) displays symptoms of severe trauma. Her father David Callaway (played by Robert De Niro) attempts to help his daughter snap out of her trauma by leaving his job as a psychologist and by moving to a small town outside of New York.
There, he realizes that his relationship with Emily is extremely difficult and that her behavior is increasingly worrisome. Emily claims to have a new friend named Charlie who is “lots of fun” and plays with her, but Emily tells her father that Charlie doesn’t like him at all. David believes that Charlie is an imaginary friend Emily created to help cope with her trauma. Things however become unsettling when horrible things begin to occur around the house (i.e. the cat gets drowned in the bathtub) that Emily then blames on Charlie. When David discovers his potential new girlfriend has been murdered in the bathtub, he realizes that Charlie is a real person and that he’s extremely dangerous. After running around the house for a few minutes, David has a moment of clarity and realizes that HE is Charlie. Charlie is indeed David’s alternate personality, one that he didn’t know even existed. This alter personality has been manipulating poor traumatized Emily and has been committing horrible crimes. After this epiphany, Charlie takes control of David’s body and goes on a murderous rampage. Charlie is then stopped, and shot dead, by Katherine, a psychologist who worked with David in New York and who came to see if Emily was alright. After the ordeal, Emily goes to live with Katherine and that’s that.
As stated above, for most movie viewers, the internal logic of the script is somewhat unbelievable. However, once the MK symbolism of the movie is recognized, one understands that Hide and Seek is about a handler traumatizing and programming an MK slave. The fact that the father/handler has two personas is consistent with the fact that handlers are often dissociative slaves themselves who’ve been programmed to carry out someone else’s dirty deeds. Let’s look at the deeper symbolism of the movie.

Emily, the Traumatized Child

The movie begins with a symbolic image: Emily playing with her mother, spinning around in the bliss of childhood and innocence. Notice the doll: she holds this constantly in the first part of the movie.

Continues …

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