The IRS headquarters in New Carrollton, Maryland is a government building that, despite being constructed with public funds, contains art referring to elite secret societies. More importantly, the art conveys a strange message about the U.S. Constitution, and the American people in general. We’ll look at the symbolic meaning of the art found in front of the IRS headquarters in Maryland.
The IRS is probably the most hated institution in America – mainly because its primary role is to force people to hand over their hard-earned cash. This modern equivalent of the proverbial tax collector indeed collects money from American workers and gives it to a government that will, in turn, use this money to send drones abroad or to build information superstructures to better monitor these same workers. What’s not to like?
The IRS was originally created as a “temporary measure” during wartime (funny how the Canadian Revenue Agency was also supposed to be “temporary”), but there is nothing temporary about it now. In fact, the gigantic IRS complex in New Carrollton, Maryland was built in 1997 and is still growing today, indicating that this institution is indeed here to stay. This modern building has all of the state-of-the-art amenities one can think of, but it is the odd public art in front of it that is the most noteworthy. As is the case for many government buildings, the art displayed means absolutely nothing to most people, but to those who are versed in secret society symbolism, its implications are manifold and profound. In fact, fully understanding the origins and the meaning of the symbols in front of the IRS building means understanding who are truly in power in America (and around the world), what they believe in and what they truly think about us, the masses.
The IRS is not known to be a very artistic institution and likewise there is not much art present at its headquarters in Maryland. However, the few pieces that are on display manage to convey everything that needs to be known about the occult elite.
The entrance to the IRS headquarters is guarded by two black and white pillars made of the highest quality marble, topped with white hands. Between the two pillars is a dark pyramid with a metallic capstone on which is written “We the People”. What does all of this represent? Here’s an “official” description:
“The most striking elements are the huge, white marble hands atop each column. Each hand points skyward, one with the forefinger extended; the other is an open hand, the fingers ever so slightly cupped.
The 1997 work is called “Vox Populi,” which is Latin for “the voice of the people.” The hand with the raised index finger represents deliberation, argument, the gesticulation of a speaker giving his or her opinion. The hand with an open palm represents the act of voting or taking an oath.”
– The Washington Post, “The Big Hands of the Law”
That is all well and good, but what does “Vox Populi” have to do with the IRS? Can citizens weigh in or vote on anything about the IRS? Why are the pillars black and white? Why is there a pyramid with a capstone between them? As it is the case for most occult symbols, there’s as basic (and unsatisfactory) interpretation given to the masses and a “real” meaning for those in the know. For those in the know, the art is a nod to the highest degrees of Freemasonry, the true source of power in America – not unlike what the Washington monument stands for.
Let’s look at each element of this (not so) public art.
The symbolism of the twin pillars is ancient and very meaningful as it refers to the core of hermetism, the basis of secret society teachings. In short, the pillars represent duality and the union of opposites:
“The right Tablet of the Law further signifies Jachin – the white pillar of light; the left Tablet, Boaz – the shadowy pillar of darkness. These were the names of the two pillars cast from brass set up on the porch of King Solomon’s Temple. They were eighteen cubits in height and beautifully ornamented with wreaths of chainwork, nets, and pomegranates. On the top of each pillar was a large bowl – now erroneously called a ball or globe – one of the bowls probably containing fire and the other water. The celestial globe (originally the bowl of fire), surmounting the right-hand column (Jachin), symbolized the divine man; the terrestrial globe (the bowl of water), surmounting the left-hand column (Boaz), signified the earthly man. These two pillars respectively connote also the active and the passive expressions of Divine Energy, the sun and the moon, sulphur and salt, good and bad, light and darkness. Between them is the door leading into the House of God, and standing thus at the gates of Sanctuary they are a reminder that Jehovah is both an androgynous and an anthropomorphic deity. As two parallel columns they denote the zodiacal signs of Cancer and Capricorn, which were formerly placed in the chamber of initiation to represent birth and death – the extremes of physical life. They accordingly signify the summer and the winter solstices, now known to Freemasons under the comparatively modern appellation of the “two St. Johns.”
In the mysterious Sephirothic Tree of the Jews, these two pillars symbolize Mercy and Severity. Standing before the gate of King Solomon’s Temple, these columns had the same symbolic import as the obelisks before the sanctuaries of Egypt. When interpreted Qabbalistically, the names of the two pillars mean “In strength shall My House be established. “In the splendor of mental and spiritual illumination, the High Priest stood between the pillars as a mute witness to the perfect virtue of equilibrium – that hypothetical point equidistant from all extremes. He thus personified the divine nature of man in the midst of his compound constitution – the mysterious Pythagorean Monad in the presence of the Duad. On one side towered the stupendous column of the intellect; on the other, the brazen pillar of the flesh. Midway between these two stands the glorified wise man, but he cannot reach this high estate without first suffering upon the cross made by joining these pillars together. The early Jews occasionally represented the two pillars, Jachin and Boaz, as the legs of Jehovah, thereby signifying to the modern philosopher that Wisdom and Love, in their most exalted sense, support the whole order of creation – both mundane and supermundane.”
– Manly P. Hall, The Secret Teachings of All Ages