henrymakow.com — June 30, 2017
Long before feminists portrayed men as rapists, Tennessee Williams depicted Stanley Kowalski in these terms.
A Streetcar Named Desire shows how much of modern “art” is Communist agitprop.
A Jewish producer, Irene Selznick and a gay playwright, Tennessee Williams, used theatre to subvert the family.
By Henry Makow Ph.D. — (from Sept 16, 2012)
In my view, feminism and “homosexual rights” mask a heterophobic Illuminati (Masonic Jewish) campaign to shred the social fabric.
One of the most celebrated plays in American Literature, A Streetcar Named Desire (1947) depicts men as “subhuman”, and heterosexual marriage and family as frauds.
The play, produced by Irene Selznick, left, contributed to the “modern” sense that human life has no inherent dignity, value or purpose. The play is an early example of how homosexuals, feminists and llluminati Jews subverted society by undermining heterosexuality.
In “The New Victorians” (1996), Rene Denfeld writes that feminists regard heterosexuality as the model for all oppression and homosexuality as the remedy.
“For many of today’s feminists, lesbianism is far more than a sexual orientation, or even a preference. It is, as students in many colleges learn, an ideological, political and philosophical means of liberation of all women from heterosexual tyranny…” (45)
MALE AS “SUBHUMAN”