John Lennon vs. the Deep State: One Man Against the “Monster”

John W. Whitehead – Activist Post Oct 7, 2019

“You gotta remember, establishment, it’s just a name for evil. The monster doesn’t care whether it kills all the students or whether there’s a revolution. It’s not thinking logically, it’s out of control.” — John Lennon (1969)

John Lennon, born 79 years ago on October 9, 1940, was a musical genius and pop cultural icon.

He was also a vocal peace protester and anti-war activist and a high-profile example of the lengths to which the Deep State will go to persecute those who dare to challenge its authority.

Long before Julian Assange, Edward Snowden and Chelsea Manning were being castigated for blowing the whistle on the government’s war crimes and the National Security Agency’s abuse of its surveillance powers, it was Lennon who was being singled out for daring to speak truth to power about the government’s warmongering, his phone calls monitored and data files illegally collected on his activities and associations.

For a while, at least, Lennon became enemy number one in the eyes of the U.S. government.

Years after Lennon’s assassination it would be revealed that the FBI had collected 281 pages of files on him, including song lyrics. J. Edgar Hoover, head of the FBI at the time, directed the agency to spy on the musician. There were also various written orders calling on government agents to frame Lennon for a drug bust. “The FBI’s files on Lennon … read like the writings of a paranoid goody-two-shoes,” observed reporter Jonathan Curiel.

As the New York Times notes, “Critics of today’s domestic surveillance object largely on privacy grounds. They have focused far less on how easily government surveillance can become an instrument for the people in power to try to hold on to power. ‘The U.S. vs. John Lennon’ … is the story not only of one man being harassed, but of a democracy being undermined.”

Indeed, all of the many complaints we have about government today—surveillance, militarism, corruption, harassment, SWAT team raids, political persecution, spying, overcriminalization, etc.—were present in Lennon’s day and formed the basis of his call for social justice, peace and a populist revolution.

For all of these reasons, the U.S. government was obsessed with Lennon, who had learned early on that rock music could serve a political end by proclaiming a radical message. More importantly, Lennon saw that his music could mobilize the public and help to bring about change. Lennon believed in the power of the people. Unfortunately, as Lennon recognized: “The trouble with government as it is, is that it doesn’t represent the people. It controls them.”

However, as Martin Lewis writing for Time notes:

John Lennon was not God. But he earned the love and admiration of his generation by creating a huge body of work that inspired and led. The appreciation for him deepened because he then instinctively decided to use his celebrity as a bully pulpit for causes greater than his own enrichment or self-aggrandizement.

For instance, in December 1971 at a concert in Ann Arbor, Mich., Lennon took to the stage and in his usual confrontational style belted out “John Sinclair,” a song he had written about a man sentenced to 10 years in prison for possessing two marijuana cigarettes. Within days of Lennon’s call for action, the Michigan Supreme Court ordered Sinclair released.

What Lennon did not know at the time was that government officials had been keeping strict tabs on the ex-Beatle they referred to as “Mr. Lennon.” Incredibly, FBI agents were in the audience at the Ann Arbor concert, “taking notes on everything from the attendance (15,000) to the artistic merits of his new song.”

The U.S. government, steeped in paranoia, was spying on Lennon.

By March 1971, when his “Power to the People” single was released, it was clear where Lennon stood. Having moved to New York City that same year, Lennon was ready to participate in political activism against the U. S. government, the “monster” that was financing the war in Vietnam.

The release of Lennon’s Sometime in New York City album, which contained a radical anti-government message in virtually every song and depicted President Richard Nixon and Chinese Chairman Mao Tse-tung dancing together nude on the cover, only fanned the flames of the conflict to come.

The official U.S. war against Lennon began in earnest in 1972 after rumors surfaced that Lennon planned to embark on a U.S. concert tour that would combine rock music with antiwar organizing and voter registration. Nixon, fearing Lennon’s influence on about 11 million new voters (1972 was the first year that 18-year-olds could vote), had the ex-Beatle served with deportation orders “in an effort to silence him as a voice of the peace movement.”

Then again, the FBI has had a long history of persecuting, prosecuting and generally harassing activists, politicians, and cultural figures. Most notably among the latter are such celebrated names as folk singer Pete Seeger, painter Pablo Picasso, comic actor and filmmaker Charlie Chaplin, comedian Lenny Bruce and poet Allen Ginsberg.

Among those most closely watched by the FBI was Martin Luther King Jr., a man labeled by the FBI as “the most dangerous and effective Negro leader in the country.” With wiretaps and electronic bugs planted in his home and office, King was kept under constant surveillance by the FBI with the aim of “neutralizing” him. He even received letters written by FBI agents suggesting that he either commit suicide or the details of his private life would be revealed to the public. The FBI kept up its pursuit of King until he was felled by a hollow-point bullet to the head in 1968.

While Lennon was not—as far as we know—being blackmailed into suicide, he was the subject of a four-year campaign of surveillance and harassment by the U.S. government (spearheaded by FBI Director J. Edgar Hoover), an attempt by President Richard Nixon to have him “neutralized” and deported. As Adam Cohen of the New York Times points out, “The F.B.I.’s surveillance of Lennon is a reminder of how easily domestic spying can become unmoored from any legitimate law enforcement purpose. What is more surprising, and ultimately more unsettling, is the degree to which the surveillance turns out to have been intertwined with electoral politics.”

As Lennon’s FBI file shows, memos and reports about the FBI’s surveillance of the anti-war activist had been flying back and forth between Hoover, the Nixon White House, various senators, the FBI and the U.S. Immigration Office.

Nixon’s pursuit of Lennon was relentless and in large part based on the misperception that Lennon and his comrades were planning to disrupt the 1972 Republican National Convention. The government’s paranoia, however, was misplaced.

Left-wing activists who were on government watch lists and who shared an interest in bringing down the Nixon Administration had been congregating at Lennon’s New York apartment. But when they revealed that they were planning to cause a riot, Lennon balked. As he recounted in a 1980 interview, “We said, We ain’t buying this. We’re not going to draw children into a situation to create violence so you can overthrow what? And replace it with what? . . . It was all based on this illusion, that you can create violence and overthrow what is, and get communism or get some right-wing lunatic or a left-wing lunatic. They’re all lunatics.”

Despite the fact that Lennon was not part of the “lunatic” plot, the government persisted in its efforts to have him deported. Equally determined to resist, Lennon dug in and fought back. Every time he was ordered out of the country, his lawyers delayed the process by filing an appeal. Finally, in 1976, Lennon won the battle to stay in the country when he was granted a green card. As he said afterwards, “I have a love for this country…. This is where the action is. I think we’ll just go home, open a tea bag, and look at each other.”

Lennon’s time of repose didn’t last long, however. By 1980, he had re-emerged with a new album and plans to become politically active again.


7 responses to “John Lennon vs. the Deep State: One Man Against the “Monster””

  1. The article mentions Picasso Charlie Chapiln and lenny bruce
    Picasso was a promiscous jewish satanist
    Charlie Chaplin was a pedo where no child was safe around him
    Actor John Wayne was excused military serveice to keep watch on chaplin and several others he was also the holywood messenger boy who ran messages for communism and russia
    and Lenny Bruce is a queer, so of course they would be watched by the FBI.
    Apart from John Lennon, John Denver died ina plane crash set up by the clintons,
    Mossad killed Jimmy Hendrix and Screamng lord Sutch was also killed.
    But the great pop drummer and freind of John Lennon Ginger Baker died last week
    he played drums on all Beatles records, Ringo Starr ony got the job to spy on the group for the agent, who was a poof and was also killed for swindling the Shul

  2. “You gotta remember, establishment, it’s just a name for evil. The monster doesn’t care whether it kills all the students or whether there’s a revolution. It’s not thinking logically, it’s out of control.” — John Lennon (1969)

    John Lennon exposing the irrational mindset:

    The faithful witness

  3. “For a while, at least, Lennon became enemy number one in the eyes of the U.S. government.”

    It’s hard to believe the STATE could find peacenik John Lennon an existential threat. I bet not one reader knows the real reason why. John Lennon rhymed blasphemy and heretical ideas into songs that the unconscious sheeple all sang.

    Atheist John Lennon’s infamous song shrunk the ball sacks of demon pig preachers and enraged statist warmongering profiteering politicians and their corporate cronies alike. Oh what did he say that was so damning and got him killed you ask?

    He said imagine a world without religion and no governments and all the people living in harmony and peace and in the now – not worried about stuff. AND SHARING OH GOD FORBID

    “Imagine there’s no Heaven
    It’s easy if you try
    No Hell below us
    Above us only sky

    Imagine all the people
    Livin’ for today
    Aaa haa

    Imagine there’s no countries
    It isn’t hard to do
    Nothing to kill or die for
    And no religion too”

    Such ideas are the antithesis to the Jew Bible which has CONvinced all the peoples that it is there duty to work, obey, pay taxes, go to war based on nation status, and not in the least PRAISE GOD. Imagine is a song that make those infected with Jew insanity wakeup from the hell trance.

    What almost not a soul on this god damned planet even has a inkling about is that there is no authority outside of self. Who actually believes they are sovereign beings? Bible dupes? Not a chance.

    You are a divine free spirit enslaved on a hell planet in a space empire. You are ruled by pure evil, power that claims authority over you, but the simple fact is no one has any authority over you. They never did, they never will, because of what you are – pure free spirit. All of humanity history is this struggle between human free spirit versus the power claiming authority.



  4. Didn`t Yoko Ono recently confess to having a relationship with HRC?

  5. @Yukon Jack

    ” What almost not a soul on this god damned planet even has a
    inkling about is that there is no authority outside of self. ”

    The ‘self’ is the crux of problem.
    Unless a person dies to the ‘self’, becomes born again,
    he will remain an irrational human being(Monster).

    Ye are of your father the devil, and the lusts of your father ye will do.
    He was a murderer from the beginning, and abode not in the truth,
    because there is no truth in him. When he speaketh a lie,
    he speaketh of his own: for he is a liar, and the father of it.

    Exposing the inconvenient reality of my return: