Henry Makow Ph.D. — March 26, 2017
A critical and popular hit, “Get Out” is a “comedy horror” that is not funny. I didn’t crack a smile. As for horrifying, think of the death grip Masonic Jews have on America’s mind.
(Movie tagline: “Just because you’re invited, doesn’t mean you’re welcome.”)
by Henry Makow Ph.D
Despite being written and directed by Mad-TV veteran Jordan Peele, “Get Out“ is a dreary cliche-ridden horror flick bereft of any humor or satire. It flogs the tired liberal-Jewish theme of white racism and black enslavement that, in this context, is somehow considered edgy and chic.
This movie is heralded as Peele’s debut as an astute social observer but it really marks his coming out as a modern day Uncle Tom. He will not be the first Negro or goy who sold out to the Illuminati for fame and fortune.
In the month since its release, this movie, which cost “Blumhouse Productions“ $4.5 million to make, has grossed $145 million. The Jewish hype machine has gone into overdrive. The Rotten Tomatoes critical consensus is 99% favorable; audience consensus is 98%.
Rotten Tomatoes: “Critics Consensus: Funny, scary, and thought-provoking, Get Out seamlessly weaves its trenchant social critiques into a brilliantly effective and entertaining horror/comedy thrill ride.”
Here is a sample of the fake news reaction.
“”Jordan Peele’s Get Out is the satirical horror movie we’ve been waiting for, a mash-up of Guess Who’s Coming to Dinner? and The Stepford Wives that’s more fun than either and more illuminating, too.” David Edelstein, Vulture
“Blending race-savvy satire with horror to especially potent effect, this bombshell social critique from first-time director Jordan Peele proves positively fearless.” Peter Debruge, Variety
“Peele’s Get Out is a spectacular horror-comedy masterpiece that you have to see!” Geek Tyrant rating 10/10
BLACKS ARE STILL PERSECUTED AND ENSLAVED BY WHITES