Narsha and SHINee: Illuminati Infiltration of K-Pop

Vigilant Citizen – August 7, 2010 link to image rich page

Illuminati symbolism is not only present in American pop culture, it is also heavily referenced in Korean pop (K-Pop), a multi-billion industry that reaches millions of young fans. We’ll look at the occult symbolism found in Narsha’s “Bbi-Ri-Bop-A” and SHINee’s “Lucifer” to see how the same hidden force that rules the American music industry also rules K-Pop.

Most of the articles found on The Vigilant Citizen have discussed the Illuminati symbolism found in the works of American artists. In the last years however, the J-Pop (Japanese pop) and K-Pop (South Korean pop) industries have been producing their own factory-made pop stars to serve the enormous Asian market. Considering the importance of its large population, it is not surprising that the popular culture of the Far East is heavily tainted by the elite’s agenda.

Narsha’s video Bbi-Ri-Bop-A is a prime example of Illuminati symbolism in K-Pop, using the same story line, symbolism and color codes found in other ritualistic videos described on this site (see Rihanna, Lady Gaga, Beyonce). The homogeneity of the messages the global population is exposed to is becoming increasingly apparent as cultural and local differences are being replaced by a single, calculated and debased popular culture.

Here’s the video with subtitles.


The song and video revolve around the themes of ritualistic initiation and spiritual duality, which have both been abundantly observed in other videos. Narsha starts by being a good, godly girl and undergoes a profound spiritual transformation.

Analysis of the Song and Video

 

The video begins with an average working guy (representative of the masses) working hard for his money. While drilling a hole, he accidentally uncovers a secret underground world that immediately attracts him.

He peeps through this world with his left eye, symbolic of the Eye of Horus and/or the All-Seeing Eye.

He is then swept into an alternate, spiritual world—some might call it the astral plane—where he must choose his spiritual destiny.

Narsha poses as a dualistic spiritual being, starting the video wearing classical Christian symbols.

Narsha wearing Jesus Christ’s crown of thorns in front of a solar halo.

The lyrics of the song invite the listener to follow her into a place “without sadness and happiness,” “with no disease,” but that is still compared to a nightmare. During the bridge of the song she says:

People that are worn out come to me
Give me your worn out soul
I will erase for you every memory you want to erase
What you want boy, what you want girl
Try to believe me, entrust me and come into me

While those words are being said, Narsha undertakes a visual spiritual transformation, illustrating the lyrics’ deeper meaning. Indeed, she is going from being godly to luciferian.


At the start of this pivotal scene, Narsha is dressed like the Virgin Mary, in a white robe— representing purity and innocence—and is praying assiduously. A supernatural force then intervenes and starts her metamorphosis.

Narsha’s Initiation

 

Narsha’s virginal white robe turns to red, the color of sacrifice and initiation.

Narsha has her purity “tainted” by the supernatural force. She then changes into a crow and flies over to the trident in front of her, symbolically representing that she has gone to the “dark side”.

The trident is also known as the “devil’s pitchfork” in religious iconography, as the adversary of God is often depicted holding the weapon. The trident can also be associated with Shiva the Destroyer and Poseidon, two mythological figures usually depicted holding a trident and who are of great importance in secret society Mystery Religions.

The red-headed Narsha then zips through the forest where the construction worker is still looking for answers. The singer stops and unfolds big black wings, in a tribute to Lucifer, the Fallen Angel. Narsha is in tears and looks troubled, hinting to a sense of pain and regret.

The construction worker is nevertheless attracted by the beautiful temptress and goes to her.

Narsha smiles with satisfaction. The same way she was tempted to convert to the dark side, she uses her alluring powers to bring other people to it.

The worker (who, remember, represents the ignorant masses) is then shown laying on the floor, dumbfounded and bewildered. We are back in the “real world”, hinting that the entire scene took place in the man’s spiritual interior.

The video to Bbi-Ri-Bop-A symbolically portrays what happens in the occult entertainment world. Promising young talents looking for fame and riches are chosen and “initiated” by the elite. The stars are then used to charm and attract unsuspecting minds—the fans—who admire and imitate them, ultimately adopting the values the elite wants them to adopt.


SHINee is one of Korea’s most popular music acts. What seems to be an Asian male version of the Pussycat Dolls released a second album that seems on par with the Illuminati’s Luciferian agenda. It is subtly called … Lucifer. Here’s their video of the same name.

SHINee

 

There is no elaborate storyline in this video just product placements from BMW, complicated hair and a supernatural force (Lucifer) mesmerizing the singers.
The song’s lyrics compare the love of a treacherous woman to the spell of Lucifer … or is it the other way around? Here’s an English translation of the lyrics:

Even if I try to avoid you, I can’t find a place to hide
I’m trapped by you, who I can’t even deny
If it was love, if you really loved me, don’t do this to me
Her whisper is the Lucifer

If you tie me down and trap me
Then the love is also tied down
The future is also tied down
It can’t grow anymore
Freely empty yourself and look at me
I’ll fill you only, I’ll completely fill you only

Your undeniable spell is the Lucifer
Your undeniable magic is the Lucifer
When I approach you
With your angelic face
Say the reason you live is for me
Say it

When I first saw you, I stopped for a short time
As if someone was tightly seizing my heart, not letting it go (still)
You took all, all, all, all, all, all of my heart just like that
You make my heart burn out when you’re not here

If you tie me down and trap me
Then the love is also tied down
The future is also tied down
It can’t grow anymore
Freely empty yourself and look at me
I’ll fill you only, I’ll completely fill you only

Loverholic, robotronic, loverholic, robotronic

The love stories I shared with you
You look towards the same places I do
When we feel that we can’t get any more perfect
Only stare at me, you want me more, more, more, more, more, more
Only look at me, you’re the center of everything, thing, thing, thing, thing, thing

Since before, something has been wrong, you’ve been weird
The love I knew left my side, one by one
All I have is you

If you tie me down and trap me
Then the love is also tied down
The future is also tied down
It can’t grow anymore
Freely empty yourself and look at me
I’ll fill you only, I’ll completely fill you only

I feel like I’ve become a clown trapped in a glass castle
I dance for you, who will never be satisfied
You look into me openly, touching my brain
I think I’ve become a fool
I think I’m only getting more and more attracted to you

Loverholic, robotronic, loverholic, robotronic

It’s not that I hate you or that I dislike you
It’s just that kind of stare is a burden is all
I’m not going anywhere
I’ve waited like this by only looking at you

Your stare captures me
As the days went by, it became sharper
I’m tired of your obsession
I’ve been cut a lot, my heart is bleeding
When it’s about time for me to pass out
She comes to me like an angel, saying “I love you”
Even though I knew it was really you
You really confused me

If you tie me down and trap me
Then the love is also tied down
The future is also tied down
It can’t grow anymore
Freely empty yourself and look at me
I’ll fill you only, I’ll completely fill you only

I feel like I’ve become a clown trapped in a glass castle
Leave me alone, when I’m free, I’ll be able to truly love you
Leave me alone, don’t make me sick of you
So I can truly look at you

If you tie me down and trap me
Then love is also tied down
The future is also tied down
It can’t grow anymore
Loverholic, robotronic, loverholic, robotronic
Your undeniable spell is the Lucifer

I feel like I’ve become a clown trapped in a glass castle … what an interesting way to describe the fate of pop stars. Like their counterparts of the Western world, these pop stars sing about being trapped, used and confused while their young fans dance and recite the words. As if to confirm the occult inspiration of the song, the video finishes with a shot of all the group’s members flashing the hermetic sign of “as above so below”.

What other figure displays that sign? Oh yeah: Baphomet.

The whole “loverholic, robotronic” bit is reminiscent of the transhumanist theme found in western pop videos. The same mix of occult, robotic, mindless, mechanic and sexually ambiguious imagery found in Western Pop is found in the Illuminati-controlled K-Pop.

Overt occult imagery is also found in the group’s performances. Take a look at the stage they performed on in a recent performance.

Trivia: What was the name of the other single they performed on this stage? Up and Down … Yup, as in “as above , so below”.


As popular culture is being produced by an ever-shrinking number of media conglomerates, we are witnessing a homogenization and standardization of the message that popular culture delivers. Through Narsha’s video, young Koreans are exposed to the same spiritual ritualism that young Americans witness through Lady Gaga, Rihanna or Christina Aguilera. Throughout popular culture, young people in America, the UK, Australia and Korea—and anywhere else that gets MTV—are exposed to the same “trends,” symbols and messages as their idols transmit to their fans the Illuminati agenda in a strikingly similar fashion: the same symbolism, color coding and hidden meanings are inserted in the videos as if they’ve all emerged from the same blueprint.

In Conclusion

 

The elite’s New World Order aims, as its name implies, to cover the entire world. To acheive this, the world’s population must embrace the same culture, the same values and the same messages. Who better than “clowns trapped in a glass castle” to embed those messages in the minds of the younger generation?
Source: http://vigilantcitizen.com/?p=4268

Vigilant Citizen

From films, architecture and music, Vigilant Citizen exposes and explains the hidden occult symbolism behind much of modern culture