Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. The video refers to mind control and, more specifically, Monarch Programming, a covert technique profusely used in the entertainment industry. We’ll look at the occult meaning of the video “Telephone”.
Just when I thought I’d written everything I had to write about Lady Gaga, Telephone comes out. An inevitable deluge of e-mails instantly followed, demanding an article about it. So I watched the video and, gosh darnit, the people who wrote those e-mails were right. There are, yet again, a whole bunch of Illuminati/mind control symbols in Lady Gaga’s latest video. I can’t say I was surprised, however, knowing that Jonas Akerlund co-wrote and directed the video. In the article Lady Gaga, the Illuminati puppet (which I suggest you read before this one), I dissected the Akerlund-directed video Paparazzi and its references to mind-control programming. Telephone acts as a sequel to Paparazzi, where Gaga still plays the role of a mind-controlled drone who kills people. This concept is never openly discussed by the artists when they are asked to explain their videos because it is not meant to be understood for the masses. The hidden meaning of the video actually depicts the elite’s contempt for the general population, hence the scene of ritual murder of average Americans in a diner by mind-controlled slaves. Don’t know what the hell I’m talking about? Keep reading.
When I first heard Telephone on the radio, I thought the song was about Lady Gaga receiving phone calls from an annoying dude while she’s out in a club. I could already picture a video of Gaga on a dance floor not answering her phone. I pictured this video because I was interpreting the song at its face value and going by its literal meaning, like most people do. Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. In an interview with E! Online, Gaga herself explained this fact:
“There was this really amazing quality in ‘Paparazzi,’ where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture. In its own way, even at certain points working with Jonas Åkerlund, the director of both videos really achieved this high art quality in the way that it was shot. I wanted to do the same thing with this video—take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.”
What is never stated, however, is that this “deeper meaning” found in Gaga’s video relates to mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite to program human beings to become mental slaves and execute specific tasks. In Paparazzi, Gaga plays the role of a mind-controlled slave who was “programmed” to poison and kill her boyfriend. Telephone is a continuation of this story, where Gaga goes to jail for her crime.
In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. Dissociation is the ultimate goal of Monarch mind control. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination.
“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.
– Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse
Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”.
Gaga’s brain as a non-answering telephone is represented in two separate occasions during the video:
Gaga’s head is the telephone. She is not answering that phone, which is symbolic of her disasociative mind state.
The telephone receiver is made out of hair and covers her left eye, representing Illuminati mind control.
So in the context of the video, the telephone is Gaga’s mind and the dance club is representative of her dissociative state, the “magical place” mind-controlled slaves are trained to go to on command.
“Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.
Sorry, I cannot hear you, I’m kinda busy.”
By “kinda busy”, Gaga means she has dissociated from reality. Real life is calling her brain but she “has no service”, she’s not there. The chorus pretty much epitomizes this concept.
“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”
Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to Monarch programming.
The video is a Quentin Tarentino-esque short film which is heavily inspired by Thelma and Louise and peppered with tons of product placements and transvestites. That surely wasn’t the video I was picturing when I first heard that song. From the comments I’ve read, the video left many fans confused about its meaning. This is quite understandable, knowing that most viewers have no idea what the song is really about. When the hidden “mind control” meaning is brought to light, the symbolism of the video becomes evident and the storyline becomes coherent. I will now attempt to go through the many symbolic scenes of the video and explain their occult meaning. Here’s the video.
The video starts with Gaga entering the “Prison for Bitches”. So, yeah, I know, she addressed that hermaphrodite rumor and many think it was the most hilarious thing ever. I’ve never really cared about those gossipy rumors so I won’t elaborate on them.
In the prison yard, Gaga walks around chained up and wearing sunglasses made of lit cigarettes.
Gaga then sits down and “gets busy” with a weird-looking inmate, but is interrupted by a phone call. She seems to be enjoying a special status in the jail … maybe due to the fact that she is a mind-controlled slave only obeying orders … and that she is needed again.
Gaga is then bailed out by Beyoncé and leaves prison. Inside the car, Gaga and Beyonce engage into an over-the-top dissociative conversation. It basically sounds like dialogue between two mind-controlled slaves. The phrase “Trust is like a mirror. You can fix it if it’s broke but you can still see the crack in the motherfucker’s reflection” can refer to a cheating boyfriend and can also refer to the permanent damage caused by the fragmenting of one’s personality in mind control.
The dynamic duo then enters an all-American, good ol’-fashioned diner. Beyoncé meets with probably the biggest douche in the universe (played by Tyrese Gibson) and proceeds to poison him. At this point, Gaga comes out of the kitchen with poisoned honey and serves it to the customers.
The mass murder begins … people eat up Gaga’s poisoned honey and die. Does this represent the Illuminati elite poisoning the masses with toxic media?
Lady Gaga turns the a-ok hand in front of her eye (representing the Illuminati’s “All-Seeing Eye”) into a gun pointed towards the viewer … the masses eating all of the poison served to them.
The entire clientele of the all-American diner gets poisoned and dies. You might have noticed the emphasis on “bees” and “honey” during the entire video. Gaga calls Beyoncé “Honey Bee”. She also serves poisoned honey to the diner’s customers. What does this signify? Beyoncé and Gaga’s poisonous honey is actually their music and videos, which are served to the masses through mass media. You can figure out the rest.
In both videos, the singers wore the glasses during the killings, hinting to the fact that they are programmed to execute the poisonings. As stated in previous articles, Mickey Mouse ears or designs often occultly refer to mind control , probably because Disney films were known to be used on MK slaves during their programming.
Gaga and Beyoncé then start dancing in “patriotic” outfits surrounded by the lifeless bodies of dead Americans … pretty disturbing. In her interview with E! Online about Telephone, Gaga stated she wanted to take:
“the idea that America is full of young people that are inundated with information and technology and turn it into something that was more of a commentary on the kind of country that we are.”
So, to sum up the situation in the diner, we have Lady Gaga and Beyoncé dancing around dead people and singing about the fact they are dissociative, mind-controlled drones.
“Can call all you want,
but there’s no one home,
and you’re not gonna reach my telephone!”
Gaga and Beyoncé finally flee the crime scene. Gaga is then shown in front of the Pussy Wagon wearing a leopard-print suit, a reference to “sex kitten” programming in occult circles.
BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level.
-Ron Patton, Project Monarch
In the final scene, Gaga and Beyoncé prance around wearing dresses by Emilie Pirlot. Beyoncé’s black dress and the veils hint to the ritualistic nature of the murders.
As stated in previous articles, the hiding of one eye and the “a-ok” sign (which seemingly means 666 in the music industry) are flashed by all Illuminati artists, apparently to show their allegiance. There are a truckload of them in this video.
Gaga covered in police tape, covering one eye. Knowing the trauma mind control victims must go through, her body is truly a crime scene.
Electroshock therapy is the main tool employed by mind control handlers to induce dissociation and fragmentation in the victims. This horrifying practice has been referred to several times in Gaga’s works. Here are two examples.
In this interlude video of the Monster Ball Tour, Gaga clearly gets electroshocked.
Telephone is yet another Lady Gaga product permeated with references to mind control and Illuminati symbolism. Gaga’s “commentary” on today’s youth is certainly not a positive one. The video basically says: America is ready to eat any poisonous crap the elite serves them and that is accomplished through controlled puppets. I will now pre-address comments I’m bound to receive:
“How is Lady Gaga mind controlling me? I’m not feeling controlled to do anything”
I am not saying that Gaga is controlling your mind. I’m saying her video is ABOUT mind control. This disturbing theme keeps reoccurring in pop music.
“She is doing it on purpose to piss you off”
I heard this comment when Bad Romance came out and after her Grammy performance, where her hype man alluded to her “mind-controlling music”. As much as I would like to believe that I’ve got that much influence on today’s biggest star, I highly doubt that Gaga, her staff, her video directors and her record label with its millions of dollars would concentrate all of their creative efforts to piss off one blogger. The truth is: She was doing this before this site was even online and she keeps doing it now. Her works, like the works of many other pop stars, are part of a greater agenda. It used to focus on exposing the youth to materialism and sexual promiscuity, but it has now expanded to occult symbolism, mind control and transhumanism.
Am I reaching you or is your telephone busy?