This article is the second part of Lady Gaga, the Illuminati Puppet. The first article, published in August 2009, analyzed the occult meaning behind Gaga’s photo shoots and videos. We’ve seen that a great deal of her symbolism revolves around occultism, secret societies and references to mind control. This article analyzes Gaga’s latest media and the fact her symbolism is still permeated by the same themes.
My first article on Stefani Joanne Angelina Germanotta called “Lady Gaga, the Illuminati Puppet“ generated a great deal of interest and controversy. It got featured on many websites and I was deemed either a “genius” or “batshit crazy” depending on the point of view. I can confirm that I’m neither of those two things and that I’m just a guy who knows his symbolism. Many news sites and blogs linked to my article by deforming its original intent (probably for more sensationalism) by adding sarcastic remarks like “Oh No Lady Gaga Wants to Control our Minds!” or “The Crazy Lady Gaga Conspiracy“. I guess those reactions were to be expected. To people who are not acquainted with obscure concepts such as Monarch programming and occult symbolism, the whole thing might sound totally far fetched and ridiculous. But to those who have background knowledge and who have researched these topics (a small minority), I was simply stating the obvious.
Since this article, Gaga has released more material re-using exactly the same themes as were discussed in the first article: mind control and secret society occultism. I have to hand it to Gaga, she knows how to generate buzz and controversy around her persona and keep people guessing. The great majority of people still have no idea what her symbolism refers to. So, at the risk of being called “batshit crazy” again here’s Lady Gaga’s latest occult pictures.
In my articles on Lady Gaga and the 2009 VMAs, I’ve identified the use and display of elements taken from Masonic symbolism. If my previous claims were considered inconclusive or “grasping at straws” by some, I wonder if they’ll remain skeptical of the presence of Masonic symbolism in pop culture after seeing this set of photos, taken INSIDE A MASONIC LODGE.
If you have minimal knowledge of Freemasonry, you already know the great importance of the twin pillars Jachim and Boaz. They are depicted in a great number of Masonic works of art, such as this one.
Gaga is standing between both pillars, wearing Hello Kitty shoes, occultly referring to mind control programming (innocence, childhood, re-education, etc). Her eyes are closed but she has wide-open eyes painted on her eyelids, which is very symbolic: her eyes seem open but they are still wide shut.
She is wearing a Hello Kitty dress and posing in a very mannequin-like stance. Her hands are positioned in way reminiscent of iconic art which displays the hermetic maxim “as above so below”.
In this picture, Gaga is standing next to the bust of an important Mason (easily recognizable by the collar). The “one eye” symbolism discussed in the previous article is still an intricate part of Gaga’s imagery. She is however far from being the only artist doing this (see Rihanna’s R Rated album cover). Hello Kitty is covering Gaga’s…kitty in another odd juxtaposition of Masonic symbolism with mind control, often found in entertainment photo shoots.
In the previous article, I’ve mentioned that the name “Lady Gaga” was taken from the Queen video Radio Gaga, in which many scenes were taken from the movie Metropolis. This movie is known for its highly occult themes (Black Magic, sacrifices to the pagan god Moloch, mind control, the whore of Babylon) and is very often referred to in the music industry.
In the movie, Maria, a girl from the working class, is “chosen” by the elite to give her likeness to a mind-controlled robot in order to confuse the masses. There is a dichotomy between the real and the false Maria that is also found in Gaga’s latest offering called Fame Monster.
In this scene from Fritz’s Metropolis, the android Maria is meant to embody the “whore of Babylon” from Revelation 17:
“So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns.
And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:
And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.
And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.
And the angel said unto me, Wherefore didst thou marvel? I will tell thee the mystery of the woman, and of the beast that carrieth her, which hath the seven heads and ten horns.”
The false Lady Gaga is opposed to the real, natural and apparently unhappy Lady Gaga.
Gaga’s wardrobe during the 2009 VMA’s left many viewers confused and baffled. Her six costumes referred to different characters from Alice in Wonderland. This tale, along with the Wizard of Oz, is known to contain many triggers relating to mind control programming.
If we combine this wardrobe with the occult vibe of the awards (as analyzed in the 2009 VMA article), the Alice in Wonderland theme takes on a sinister meaning, alluding to the inner-workings of the entertainment industry.
This metallic head is a pretty blatant reference to an alternate personality, as developed in MK Ultra programming.
Since the publishing of the first article, Lady Gaga’s symbolism has continued to expoit the same themes as were previously discussed. Although she is very smart and educated in symbolism, the settings of the pictures are the creations of photographers, stylists and other “consultants”. Whether she is commenting on the mind control phenomenon in mass media or simply a victim of it is still hard to determine but one thing is for sure: the symbolism is there and that’s the goal of the article. What is more unsettling is the fact that those themes are not exclusive to Gaga. They are associated with many acts in the music and the fashion industry to a point that one inevitably realizes that these artists are pawns of a greater machine, pushing its symbols through various outlets. References to mind control, to secret societies, to Baphomet and to Metropolis are too widespread to be coincidences or results of artistic expression. There is an obvious media campaign pushing these elements into pop culture. What should we do about it? MTV says: Just dance.